
In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.
Iorgu Ordeanu

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.
1982-01-13
6.4
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8.7Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
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8.5A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
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8.3A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
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6.6When architect-turned-recluse Bernadette Fox goes missing prior to a family trip to Antarctica, her 15-year-old daughter, Bee, goes on a quest with Bernadette's husband to find her.
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A dramatization of a novella by American writer Henry James. This subtle, psychologically profound story is narrated by young literary scholar Henry Jones, who, while searching for documents related to the romantic poet Jeffrey Aspern, finds himself in Venice at the end of the 19th century. Juliana Bordereau, whom Aspern sang about in his work and who owns much of his correspondence, still lives there. However, Juliana refuses to show it to Jones because these letters are the only link connecting her to life. Jones therefore decides to resort to trickery. He moves in with Juliana under a false name as a lodger and, by pretending to be in love, wins over her niece Tina, who is ultimately willing to help him. However, it soon becomes clear that such manipulation of people, even if motivated by a noble goal, does not pay off.
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