ˈsterˌkās(2025)

Meta: The Dazzling Girl(xx)

In this single character-driven movie, we follow the life of meta, an archaeologist. In her excavation she comes across an old ruin and unknowingly falls trap to a curse. This curse later leads her head to get stuck in a mystical pot. It is the nature’s payback to her unknown karmic cycle.

Rhythm(ja)

A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.

Demolition Man(en)

In 1996, brash L.A. detective John Spartan and maniac killer Simon Phoenix are both sentenced to decades in a cryogenic prison as punishment for a rescue mission gone wrong. When Phoenix escapes 36 years later to wreak havoc on the future, Spartan is awakened to capture his nemesis the old-fashioned way.

Coming to America(en)

An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.

Kino Kopf(en)

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

Lysreisen(no)

"Lysreisen" is an experimental art film, a visual ode to tunnel lights. Its ethereal beauty and abstract visuals create a poetic journey, exploring the transformative dance of light with a captivating and artistic touch.

Preparação I(pt)

In Preparação I (Preparation I) Letícia Parente prepares herself to go out. In front of a bathroom mirror, she places bandages over her mouth and eyes, draws eyes and a mouth over the bandages, fixes her hair, takes her bag and leaves the room. This masquerade becomes a political commentary about the female gaze, voice, modes of interaction, sociality and corporeality in Brazilian society during the 1970s.

EGGspression(xx)

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

Pulvaaliraghu(ta)

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

Islam(sh)

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.

YAZZA(pt)

Sometimes you’re at home with a friend and you tell them that if you don’t leave you’ll be late and the response is a crazy, unexpected and utter frenzy.

LUX DIVINA(fr)

An unknown man wakes up in purgatory, where he is confronted by an angel.

Last Room(fr)

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

Peixes Elétricos(pt)

The Decline And Fall Of America(en)

A shocking 2 hour full length movie from B.A. Brooks that will change the way you look at our leadership within America's government and military today.

Congregation(xx)

People leave (and return) from a church after Sunday Mass more than 120 years ago. The creaking of time and the darkness behind the ancient ritual of praying for our existence dance eternally, like a river of souls. Liz Taylor's visualy noisy reinterpretation of the film "Congregation Leaving St. Mary's Pro-Cathedral, Dublin" (1901) by the Edwardian filmmaking duo James Kenyon and Sagar Mitchell.

House(ja)

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

Digital Tsunami: Big Tech, Big AI, Big Brother(en)

We are engulfed in a digital tsunami—a toxic mix of artificial intelligence, state and corporate surveillance, and social media addiction controlled by powerful algorithms. Digital Tsunami shows how these are all elements of a digital ecosystem that is changing us as humans—just as the prophetic media guru Marshall McLuhan predicted 60 years ago. The unexpected consequences of this digital revolution have created an urgent need for strategies for survival.

The American Matrix - Age Of Deception(en)

A shocking new 2 hour film by B.A. Brooks. This 2010 release is a follow up to "The Decline And Fall Of America" which was released in 2008. "The American Matrix - Age Of Deception" details news items that all people should be aware of such as the economic collapse of The United States and the formation of the a New World Order. See what has really been going on in America today.

Incident at Oglala(en)

On June 26, 1975, during a period of high tensions on the Pine Ridge reservation in South Dakota, two FBI agents were killed in a shootout with a group of Indians. Although several men were charged with killing the agents, only one, Leonard Peltier, was found guilty. This film describes the events surrounding the shootout and suggests that Peltier was unjustly convicted.