

When she heard the explosions around her, 15-year-old Sma Ahel immediately picked up her phone. 'I removed the password from my phone so that if we didn't make it out, and we were killed, people would know what happened to us. So they know we existed.' In their own words and images, this short documentary tells the story of a Palestinians trapped in deadly fighting between Israel and Hamas during an 11-day war in May 2021.

Sma Ahel (Herself)

When she heard the explosions around her, 15-year-old Sma Ahel immediately picked up her phone. 'I removed the password from my phone so that if we didn't make it out, and we were killed, people would know what happened to us. So they know we existed.' In their own words and images, this short documentary tells the story of a Palestinians trapped in deadly fighting between Israel and Hamas during an 11-day war in May 2021.
2021-07-14
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10.0A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.
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9.0The story of how a small group of teenagers created a skate scene from scratch in a place where you can't even buy a skateboard, whilst facing the challenges of living under military occupation.
10.0The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
7.7An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
6.7A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
7.4Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
0.0Short film made from photographs taken by anthropologist and photojournalist Rogério Ferrari in Palestinian territories in 2002.
0.0Something from there is a short film on the substance of our original lands. Weaving between the voices of the artist’s parents, one a refugee and the other not, the film is personal, yet evokes a shared Palestinian experience.
6.5Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
7.0A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.
Rama, a girl from Gaza, survived a childhood fire accident and narrates the challenges she faced afterward. Despite the hardships, she turned the accident into a miracle through her resilience, which she now uses to face the challenges of the war on Gaza and continue her path to success.
8.0In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.
6.1A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
0.0We are taken behind the scenes of a play in-the-making: The play is Samuel Beckett’s WAITING FOR GODOT—starring a group of young 48-Palestinians. One by one, we are introduced to a variety of characters: the play’s director, actors, and other ordinary people. As we delve further into each of their lives, the film reveals the startling parallels between the themes of the play and their own. Everyone is waiting for something: a permit to build a house, better work conditions, a starring role in a film. Much like Waiting for Godot, our heroes are awaiting Faraj Allah… something that may or may not come.
6.9An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.
7.5A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
8.614 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.
0.0The film follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.