Do Canto ao Pio(2006)

Prime Farmland(en)

This documentary film follows farmers and activists fighting together to stop the Indiana Enterprise Center, a mega-sized industrial park planned west of South Bend, Indiana

Terpsichore(en)

Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.

Track_ing(ko)

A set of 500*500 pixel boxes analyzes a group of image data produced on a train—a train running between Korea and Kazakhstan. Mostly, the detection process appears to be random. However, despite the incoherency, the boxes can generate an output, a story that can make sense.

Los días azules(ca)

Mother of Fog(ar)

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

bleared eyes of blue glass(xx)

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.

Little Red Riding Hood Told by 160 Dutch People(nl)

Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.

beer cans under my bed(en)

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Próxima Parada(pt)

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

Tendre Des Fils(fr)

That is the Silence(en)

You must once in a while uproot yourself from the daily routine to better see what doesn’t serve you anymore - not to run away from but to get closer to yourself.

Inspection 01(en)

A closeup examination of a tree in the morning light.

Between Tides(en)

a sensorial journey on a scottish island reminding us of the connection between the living questioning our relationship to the sea and to the land

An Uncountable Number of Threads(en)

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

One Minute Reharsal(pt)

Actors Isabella Lafin and Rafael Grendene reharsing a scene from the movie Marriage Story (2019).

Modern Life(fr)

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

A Common Sequence(en)

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Guisado on Sunset(en)

Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.

Fuente Álamo, la caricia del tiempo(es)

The camera falls in love with the characters, the landscape and the objects and is installed with the tenderness that inoculates the life of the town itself. The camera is the thousand eyes of the gaze of a rigorous anthropologist, although in love, multiplying so as not to lose detail in 24 hours of people, activity, games, intimacy ... Recording every sound that pierces the oceanic silence of the countryside open.And night comes. And the gazpacho. And the party. You see.