

Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.


Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.
2024-10-04
0
6.0An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
0.05000 years ago the ancient Elamites established a glorious civilization that lasted about three millennia. They created marvelous works in architecture and craftsmanship. These works of art depict the lifestyle, thoughts, and beliefs of the Elamites.
9.0A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
5.5Big Time gets up close with Danish architectural prodigy Bjarke Ingels over a period of six years while he is struggling to complete his largest projects yet, the Manhattan skyscraper W57 and Two World Trade Center.
6.4Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.
10.0Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.
6.0The award winner Japanese architect Toyo Ito designed the International Baroque Museum in Puebla, Mexico. He is well known for his majestic buildings in Europe and Asia that rise with nature inspired geometry and complex shapes that could belong in a fantasy. Nobody knew how to build this project until a team of Mexican constructors accepted the challenge after two years of nobody stepping up to it. But there was a catch. They only had 27 weeks to build something comparable to the Guggenheim in NYC. This is the story of that team who tested the Mexican genius to solve a complex puzzle told by the men and women who made it. On time. On a budget. Against all odds.
Dr. Yang Jwing-Ming explains, demonstrates, and discusses the Eight Pieces of Brocade (jian shen ba duan jin), a qigong practice for health and wellbeing. The Eight Pieces of Brocade is a sequence of eight movements intended to build qi, promote blood circulation, assist the immune system, strengthen the internal organs, and energize the body. Dr. Yang teaches both sitting and standing variations of the practice.
5.3Documentary footage from various sources, set to music. Showing the whole of human life, from birth to death and beyond.
0.0The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.
0.0Documentary about the architecture of the Swedish housing boom in the 1960s and how it's viewed today.
0.0Ninety-year-old sound artist and comedian Henry “Sandy” Jacobs lives a quirky existence at the end of Sunnyside Drive, a steep and winding dirt road washed by fog from the Pacific Ocean. Sixty feet down the hill lives his eccentric 84-year-old friend and neighbor, architect and former Frank Lloyd Wright collaborator Daniel Liebermann. These extraordinary old men, influential artists in the 1950s and ’60s, continue, each in their own way, to search the world for perfection. Sunnyside takes us to an extraordinary place, a microcosm with its own distinctive rhythm and remarkable inhabitants. It is a film about creativity, the capacity to dream and, ultimately, the transience of life.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
7.5Three filmmakers dive deep into the storied and complex legacy of Ms. magazine through the lens of some of its most iconic covers, featuring never-before-seen archival footage and engaging interviews with the powerful women who shaped the magazine at its inception over fifty years ago
10.0Across two countries, France and Algeria, and five cities, Mohamed Gholam takes us south to tell us about the earthen and vernacular-inspired architecture of André Ravéreau. Passing through Lyon, Marseille, Algiers, and Djelfa, this adventure will take us to Ghardaïa, in the Algerian desert. The documentary presents the following buildings: L'Orangerie in Lyon, the Village Terre de l'Isle-d'Abeau in Villefontaine, the Unité d'Habitat or Cité Radieuse in Marseille, L'Aérohabitat in Algiers, the Palais des Raïs or Bastion 23 in Algiers, the Hôtel des Postes in Ghardaïa, and the low-cost housing of Sidi Abbaz de Bounoura.
6.0A film about modern Japanese architecture, its roots in the Japanese tradition and its impact on the Nordic building-tradition. Winding its way through visions of the future, traditions, nature, concrete, gardens and high-tech, KOCHUU tells us how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions. Interviews with, and works by, Japanese architects Tadad Ando, Kisho Kurokawa, Toyo Ito and Kazuo Shinohara and Scandinavian architects Sverre Fehn, Kristian Gullichsen and Juhani Pallasmaa.
9.0Through our subject Adam, we reveal the incredible changes and forces that take all humankind from Cradle to Grave.