Tudo é Projeto

Four Shorts on Architecture(en)

A visual essay on contemporary Kiwi architecture.

Going Attractions: The Definitive Story of the Movie Palace(en)

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

These Four Walls(en)

A short documentary that takes a look at Pratt Institute's Architecture program and how the first years handle the rigorous workload.

Heavy Architecture(pt)

Documentary about 4 large architectural landmarks that projected Portugal abroad.

The Builders of the Alhambra(es)

Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.

Jugaad(hi)

Jugaad is a Hindi word that can be translated as "innovative or effective solution that bends the rules". It refers to the extreme capacity developed by Mumbai's inhabitants to adapt and get around any type of constraint or obstacle posed by the city's urban structure. In a relatively small piece of land where 21 million people live today, the inhabitants of Mumbai demonstrate great creativity when it comes to managing the spaces (for sale, for prayer, for traffic) and the flows that cross them every day. Without using language, Hong Kong artist Chak Hin Leung brings together in this video a dozen unique situations in which people, animals, vehicles and natural elements intermingle and brush up against each other, without ever colliding.

Moriyama-San(en)

One week in the extraordinary-ordinary life of Mr. Moriyama, a Japanese art, architecture and music enlighted amateur who lives in one of the most famous contemporary Japanese architecture, the Moriyama house, built in Tokyo in 2005 by Pritzker-prize winner Ryue Nishizawa (SANAA). Introduced in the intimacy of this experimental microcosm which redefines completely the common sense of domestic life, Ila Bêka recounts in a very spontaneous and personal way the unique personality of the owner: a urban hermit living in a small archipelago of peace and contemplation in the heart of Tokyo. From noise music to experimental movies, the film let us enter into the ramification of the Mr. Moriyama's free spirit. Moriyama-San, the first film about noise music, acrobatic reading, silent movies, fireworks and Japanese architecture!

Soviet Bus Stops(en)

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

One Big Home(en)

On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.

The Great North(en)

Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.

Antonio Gaudí(ja)

Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.

Kamenná sláva(cs)

Drahý mistře(cs)

Bardejov(sk)

in retrospect(de)

Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.

Marqueetown(en)

Through booms and busts, Delft Theatres and its innovative gem The Nordic endured in Marquette, Michigan for almost 100 years. Bernie Rosendahl’s crusade to restore the historic arthouse to its former glory reveals a hidden cinema empire in the Upper Peninsula.

Big Time(da)

Big Time gets up close with Danish architectural prodigy Bjarke Ingels over a period of six years while he is struggling to complete his largest projects yet, the Manhattan skyscraper W57 and Two World Trade Center.

Kroměříž(cs)

The Orchards(ar)

In 2015, in Damascus, the Basateen al-Razi district and its orchards were razed to the ground as punishment for the population's uprising against the regime. Having lost everything, two former residents recall their neighborhood.

Architecton(en)

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?