Using drama, comedy, and music, this video addresses safer sex, AIDS hysteria, relationships, homophobia, the hazards of sharing needles. Young people are encouraged to examine their ideas, attitudes, and practices, and to make personal health choices based on accurate information. What's wrong with this picture? was written by young people for young people. It uses young people's language and experiences, proving particularly effective where other forms of AIDS education have failed.
Herself
Herself
Herself
Herself
Himself
Himself
Himself
Using drama, comedy, and music, this video addresses safer sex, AIDS hysteria, relationships, homophobia, the hazards of sharing needles. Young people are encouraged to examine their ideas, attitudes, and practices, and to make personal health choices based on accurate information. What's wrong with this picture? was written by young people for young people. It uses young people's language and experiences, proving particularly effective where other forms of AIDS education have failed.
1991-01-01
0
Tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.
In middle school, Futaba Yoshioka was madly in love with Tanaka Kou but he moves away with his mother. She is reunited with him later in life but he is not the same person anymore.
Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.
The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.
Daily spleen, drunkenness among friends, conversations and the passage of time: the video diaries composed by Lionel Soukaz chronicle the early 1990s, the comet tail of those never-ending winter years and the nightmare of the AIDS years. But edited thirty years later with Stéphane Gérard, they are also a tribute to Hervé Couergou, the beloved partner at the center of all the filmed scenes. Slowly, in conversations between couples and friends, the dandy spirit and intimate confession overlap. What emerges is a portrait of a way of dealing with the times and their pain, which, beneath the act of commemoration, seeks to inscribe a living presence.
A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.
Set in 1965, a young couple fights to stay together as escalating violence and their opposing political backgrounds threaten to tear them apart.
One of the most controversial subjects of the 1980s, the AIDS epidemic ended thousands of lives across America. This video, entitled What is AIDS helps educate the youth of America about the deadly disease.
Sofia was forced to leave her home and is now homeless. The young woman spends her days wandering the alleys of the University of São Paulo campus, where she offers her services as a tattoo artist. One ethereal night, her wanderings mingle with memories of an unfulfilled love. Wrapped in a dark, melancholy atmosphere, the film contemplates the fragility of a youth left behind. In a story that transcends borders, the life of an impenetrable fictional Sofia is imbued with the experiences of the actress of the same name who plays her. As enigmatic as an oracle, the original Portuguese title evokes the impermanence and ambiguity that haunt Sofia. She is carried away by perpetual motion, her future forever unknown.
Gao Ming Ze, a student who lacked family care ever since a very young age, so his personality ends up transferring schools because gets into fights. Until, he meets Zhou Xiao Tong, who's a rightful and innocent student. Will he change?
When the swimming competition is coming, Wen is under lots of pressure, so it's gloomy this summer. Ann, who is inseparable beside her, found out something different. To confront Wen’s closure and trauma, Ann decides to be closer to Wen. But, when she gets closer to Wen once, it pushes them further.
BEK (Beak) is a tale about a girl who is born with wings instead of arms and a beak where a mouth should be. Unlike a real bird though, she cannot fly because she is, after all, still a girl. Hated by her father, she is driven from home and ends up joining the circus as a freak attraction. Adopted by a friendly, drunken clown she settles into her niche as a circus performer. As time goes by, she longs to be a real woman, a human, but there is no place for such a bird-creature in the world outside the circus. So, she creates her own fantasy world as she dreams about the life of a normal girl, somewhere far away from the circus. In the end, she dreams herself away from it all leaving the audience wondering if the girl was actually there, or if it was something they may have imagined – a girl with wings and a beak.
Gabi is undermined when her only friend gets attention from the boy who assaulted her in the past. As night falls on Tel Aviv, the friendship is tested.
It is the last day of school for Christian and his younger sister Sophie. They are heading to a party at his friend Trina. High school graduation is just around the corner and after the freedom and future. But behind the idyllic facade lurks tragedy and secrets. That evening Sophie commits suicide.
Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?