What is AIDS?

Ailey(en)

Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would.

The Boy Who Found Gold(en)

William Hart McNichols is a world renowned artist, heralded by Time magazine as "among the most famous creators of Christian iconic images in the world". As a young Catholic priest from 1983-1990 he was immersed in a life-altering journey working as a chaplain at St. Vincent's AIDS hospice in New York city. It was during this time that he became an early pioneer for LGBT rights within the Catholic church. "The Boy Who Found Gold" is a cinematic journey into the art and spirit of William Hart McNichols. The film follows his colorful life as he crosses paths with presidents, popes, martyrs, and parishioners, finding an insightful lesson with each encounter. McNichols' message as a priest, artist and man speaks to the most powerful element of the human spirit: Mercy.

Doin' My Drugs(en)

The story of musician Thomas Muchimba Buttenschøn - born HIV+ in 1985 - and his crusade to use his music to wipe out AIDS in his native Zambia and beyond.

8: SIDA(fr)

In a hospital in Burkina Faso, a man infected by HIV tells his story.

Darwin's Nightmare(en)

Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.

Voices of Positive Women(en)

Voices of Positive Women is a ground-breaking documentary examination of the impact of HIV and AIDS on the lives of women working from material published in the book "Positive Women", a collection of personal accounts of women from all over the world living with AIDS and HIV. Bravely sharing their experiences publicly in what until now has been a void of information and support, and in some cases medical and bureaucratic denial that women are even at risk, the nine women presented in Voices of Positive Women speak compellingly on their own terms of their personal struggles for survival and voice.

The Battle of Amfar(en)

When AIDS struck in the early 1980s, a scientist and a movie star did not have to respond - but they did. Dr. Mathilde Krim and Elizabeth Taylor joined forces to create amfAR, the Foundation for AIDS Research. The fight against HIV has never been the same. The Perfect Host reveals how two powerful and very different women came together, and what their combined efforts achieved. With passion and wit, Taylor wielded celebrity as a weapon against government indifference while Krim's commitment to science ensured support for the most promising research areas. Today, the only man cured of AIDS can thank research championed by Mathilde Krim. Visually dazzling and emotionally compelling, this story offers a surprising perspective on the still ongoing fight against AIDS.

The Beauty President(en)

In 1992, at the height of the AIDS pandemic, activist Terence Alan Smith made a historic bid for president of the United States as his drag queen persona Joan Jett Blakk. Today, Smith reflects back on his seminal civil rights campaign and its place in American history.

Archivos VIH/sida: historias y voces de una pandemia(es)

Panic Bodies(en)

"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)

Silence = Death(de)

AIDS victims and activists cope with hardship and society’s ignorance.

Trade Center(en)

The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.

The Bloody Truth(en)

This film tells the story of the unknown pre-history of the AIDS virus, long before people started to die in the US and Europe. Following a team of scientists we uncover a forgotten medical archive in the Democratic Republic of Congo, that tells of an epidemic a full two decades before anyone knew about the novel killer. From high-tech labs in the US to African medics who have their boots on the ground, we trace HIV back to its origin in the jungles of Cameroon. In the decades around the turn of the 20th century, colonialism fundamentally changed the lives of millions of people in central Africa; it created an environment that allowed HIV to leave its original host, the chimpanzee, and start to spread in humans.

That Child with AID$(pt)

That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.

Heart Murmurs(zh)

Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.

Losing the Light(en)

Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.

What Now? Remind Me(pt)

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

Hose(en)

Mixing cyberporn and “basement porn” footage together, Hose juxtaposes the revolutionary promises of sexuality of the '70s with the cybersex reality of the '90s. This rich visual examination of queer sexuality would not be complete without its sly piss-take (literally) about the fun of watersports.

I Will Speak, I Will Speak(en)

A powerful story of loss, stigma, friendship, and being alive! "I will speak, I will speak!" tells how five HIV-infected men and women from Zambia (Lusaka), Russia (Moscow), the USA (San Francisco), Cambodia and England brave life while infected with the deadly virus.

The AIDS Show(en)

A recording of a play about the intangible impacts AIDS has on a community. This is a moving, beautifully photographed combination of theater and documentary that captures the incredible excitement of live theater and intensifies the power of the play's message.