Ojalá pudiera decir la verdad(2024)

Las aspirantes(es)

A story that explores the role of women in the Malvinas War. The protagonist, leader of a group of veteran nurses, commits suicide while this documentary is being filmed. Her companions took on her legacy and continue the fight for recognition in the face of the silence of history and the Argentine Navy.

Raíz y Miajas(es)

Insistir(es)

A documentary about the sea and memory. Its movement is its form. Its strength.

Reflejos(es)

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

O Rizo(gl)

Las casas de mi abuelo(es)

Cinema Berlín(es)

Yvera(es)

Ritual de Luz(es)

Desesperadas medidas(es)

Lo Que Queda en la Tierra(es)

In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years later, a son reconstructs the inherited fear, amidst echoes of the past and invisible scars. A sensory journey into memory, where the unspoken still resonates.

As if it was the last one(es)

A voice says, “Start the car, I killed him!”, and a car speeds away. A basketball court, a family table, a school, and a public plaza begin as ordinary, empty spaces, gradually filling with life—though always marked by an absence. This short film retraces the life of Franco Castro López, a 16-year-old who enjoyed everyday life with his family and friends, doing what he loved and moving through the places he called his own. As national news outlets begin reporting on the deaths of several young people whose families are demanding justice, Franco’s case resurfaces. Through news footage, home videos, testimonies, voices, and photographs, a story once silenced becomes visible again. More than ten years after his killing, his face still covers the walls of Mar del Plata—carrying the hope that he was the last.

Peru is a place to die(en)

Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.

Luz ámbar(es)

Memory is an image projected onto the smoke of emotions.

Cuarto Oscuro(es)

Ainom(it)

Nos vemos a la vuelta(es)

Every Moment of You(es)

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

Si está en su memoria, podemos llevarle(es)

El Olvido(es)