Protagonista
Extra
Extra
Extra
Extra
0
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The boys are back on the road for the American leg of their "Where We Are" tour, one of the biggest grossing tours ever, estimated to turn over 1 billion dollars. One Direction remains at the top of their game as the biggest boy band on the planet. Their rise to the top has been rapid, and fans of the young superstars can look forward to a new 1D film hitting the screens in October 2014. We invite you to follow their journey.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
The story and diary of a young adult that, in order to learn and understand her own identity, had to learn to march the streets and the value of what it means to legislate over our own bodies.
Over the years, Joe Swash’s magnetic personality has endeared him to millions of TV viewers, but now he is delving into something more serious, and more personal. This documentary follows Joe as he explores the stories of teens in care over the age of 16, the largest-growing cohort in both child protection and care.
From Regina's personal and visual memories, a tribute to her uncle Thomas, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.
A careless mother is going on a date with another fan and, in order to brighten up her daughter's loneliness, leaves her alone with a pink doll - the same doll that "wanders around the city and why it is vain to destroy little children". The girl considers the doll to be very realistic, therefore she associates it with herself, and herself with her mother. So begin the serious experiences of a girl who understands that this doll bought off her. At night, the girl dreams a terrible dream in which the doll embodies all her fears... "Pink Doll" creates the illusion of a spellbound fall into the abyss of children's dreams, fantasies and nightmares. The sensual effect is achieved by the game of scale and angle, the nervous rhythm of intraframe movement and graphic thickening of reality.
An awkward 12-year old boy named Ollie experiences "bubble trouble" when his true feelings for a girl are embarrassingly revealed in the form of a physical thought bubble.
Life is hard enough for an exchange student at a new school, but as the only earthling at a school for aliens, the central character in this fanciful story is the ultimate outsider and must prove her worth to be accepted by her unusual new classmates.
Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.
In the 1920s, Angela Murray Gibson chose an unusual location to embark on a career in silent filmmaking: her tiny hometown of Casselton, North Dakota. She had previously helped Mary Pickford as an advisor and assistant director on The Pride of the Clan (1917), which Mary Pickford produced and starred in. She opened North Dakota's first movie studio, and she had the audacity to be a woman in an industry dominated by men.
Based on the famous book by Jules Verne the movie follows Phileas Fogg on his journey around the world. Which has to be completed within 80 days, a very short period for those days.
Leonie’s dream is to become a pig farmer, just like her parents. She wanders happily around the farm, helping out in any way possible. She tends to the pigs, and is present from the fertilisation of the sows to the moment the truck leaves for the slaughterhouse. The family farm teaches her about the circle of life. However, new laws on nitrogen emissions have undermined the economic viability of the farm, and bankruptcy looms. Together with her cat Skeet, Leonie watches the last pigs disappear from the farm, and she realises that her dream of becoming a pig farmer might not come true.