L'écho de la révolte - Les émeutes 10 ans après(2015)

Metallica: Some Kind of Monster(en)

After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.

Speakers for the Dead(en)

A film about small Ontario town's struggle to restore a desecrated African-Canadian cemetery and the resulting turmoil over it.

Journey into Gaza(it)

“In Gaza you have to get there in the evening, in spring, lock yourself in your room and from there listen to the sounds coming in through the open window.... It's 2018. I am 25 years old and a foreign traveler. I meet young Palestinians my age..”

Connect 7(en)

This film documents the youth groups personalities, interests and what they like to do for fun. It also highlights important and relevant issues facing young travellers and their peers in East Cork and Cork City. A film the by the Connect Youth Project. Directed and filmed by the members of the Connect Youth Project in East Cork.

The Problem with Apu(en)

In the history of “The Simpsons,” few characters outside the title family have had as much cultural impact as Apu Nahasapeemapetilon, the Springfield convenience store owner. Comedian Hari Kondabolu is out to show why that might be a problem.

Nin E Tepueian: My Cry(fr)

NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.

The Judge(en)

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

After the Apology(en)

Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…

Salty Dog Blues(en)

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.

Joe Louis: America's Hero Betrayed(en)

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

Too Black to Be French?(fr)

Approximately, because so-called "ethnic" statistics are prohibited, there are an estimated 3.3 million black French citizens. Distant descendants of slaves from the Caribbean or "indigenous" peoples from the French colonial empire in Africa, they constitute a minority that is often discriminated against. Isabelle Boni-Claverie, a mixed-race woman raised in the affluent neighborhoods of Paris, daughter of an Ivorian politician and granddaughter of Alphonse Boni, a Black man who became a magistrate of the French Republic in the 1930s, examines what is blocking the social advancement of Black French people and the full recognition of their citizenship.

Sieben Mulden und eine Leiche(de)

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

This Is My Body(fr)

Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.

Retrato em Preto e Branco(pt)

The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.

Briser le code(fr)

Be Water(en)

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.

Coded Bias(en)

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

Alice in the Land of National Guard of Russia(ru)

A girl from St. Petersburg walks around protest-ridden Moscow, talking to riot police and believing that sooner or later they will go over to the side of the demonstrators. An 18-year-old student of a St. Petersburg college introduces herself as Alice and tells about herself that from the age of four she lived in an orphanage and in foster families. In Moscow, Alisa, for whom this is the first rally in her life, walks along the police cordons and looks under the OMON helmet. "Under the mask you can't see, are you even human?"

Ratamata(en)

A portrait of the diverse opinions of Chicagoans as they reflect on the general state of affairs in America, the war in Vietnam, social and racial conflict, freedom and personal liberty, happiness, and social justice. Ratamata was made by future Tom Palazzolo collaborator Kreines when he was 16 years old, and was an award winner at the Young Chicago Filmmakers Festival.

Black Is the Color: African-American Artists and Segregation(fr)

Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.