The Story of the Coast Salish Knitters(2000)

Maximón: Devil or Saint(es)

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

Las mujeres deciden(es)

Maria, a young Spanish doctor, works in a maternity hospital in the Ecuadorian rain forest. She is shocked about the premature pregnancies and the violence women in Ecuador have to face. She meets Mishell, an adolescent abused by her father, and Yanina, a woman who decides to perform a clandestine abortion. Maria discovers that behind unintended pregnancies often hides sexual violence.

Cidadão Jatobá(pt)

Two Lawalapiti young men from Alto Xingu learn to build a canoe from the bark of the jatobá tree, a quick and simple technique that leaves the tree still rooted and alive, and that has ceased to be used and is only known by the oldest Lawalapiti men.

Gurrumul(en)

Blind from birth, Dr G Yunupingu found his identity through song and the haunting voice that has already become legend. His debut album introduced Australia to the Songlines and culture of his Elcho Island community, but now Dr G Yunupingu finds himself increasingly torn between city and country, present and past, self and the community to which he owes so much.

Island of Whales(en)

This film joins five of the world's leading whale researchers on a scientific expedition around Canada's Vancouver Island. Spectacular photography and sound recording, both above and under water, provide an imtimate look at killer, gray, and humpback whales, and the world they inhabit. Island of Whales examines the communication, habitat, food supply and behaviour of whales. What emerges is a picture of creatures more sophisticated and complex than ever before imagined. At the end of the film, we are left with one compelling question: Can these magnificent creatures survive in the face of declining food supplies and pollution?

My Grandmother’s Tipi(xx)

“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.

Tz'üntz'ü(es)

On and On and On(en)

Albert Ward was a highly regarded Mi'kmaq Elder from Eel Ground First Nation and a very dear friend and teacher to my family. This recording was the last time we spoke to him, and the first time I had met him since infancy.

Shamanic Visions: Forgotten Territories(fr)

This film is an initiatory journey among the Fangs of Gabon and the Shipibos of Peru. With the sound of traditional instruments like the mogongo (arc in the mouth), the holy harp, and the Icaros, we discover the traditional peoples’ wisdom.

Namatjira Project(en)

From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.

The Four Corners: A National Sacrifice Area?(en)

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

Keep Talking(en)

Three Alaska Native women work to save their endangered language, Kodiak Alutiiq, and ensure the future of their culture while confronting their personal demons. With just 41 fluent Native speakers remaining, mostly Elders, some estimate their language could die out within ten years. The small community travels to a remote Island, where a language immersion experiment unfolds with the remaining fluent Elders. Young camper Sadie, an at-risk 13 year old learner and budding Alutiiq dancer, is inspired and gains strength through her work with the teachers. Yet PTSD and politics loom large as the elders, teachers, and students try to continue the difficult task of language revitalization over the next five years.

Baraka(en)

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Club Native(en)

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.

Our People Will Be Healed(en)

Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.

Natsik Hunting(en)

Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB

Indian Rights for Indian Women(en)

Three intrepid women battle for Indigenous women's treaty rights.

Anti-Objects, or Space Without Path or Boundary(en)

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

Closeness to the Land(en)

In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.

Against the Tide(mr)

Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.