Laundriness(2011)

dead calm(es)

Coraline has grown tired of her routine and feels stuck in her day-to-day life. For this reason, she decides to find a way to escape it.

Git Along Little Wifie(en)

Ex-wife Lena Malena wants her alimony, but Taylor Holmes pleads poverty. So she moves in on him and current wife Natalie Moorhead.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Antoine and Colette(fr)

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Distinguished Feelings(fr)

After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.

I'm the Police(nl)

Two guys in their early twenties, a hitchhiking Dutch student and a Swedish police officer with a broken police car, meet each other on a Swedish country road. On their way to the gas station, their suspicious understanding gradually changes.

The Lovers(en)

Troy has resorted to speed dating, where he meets Cassandra, who uses tarot cards to skip the awkward get-to-know-you phase, only Cassandra's flirting turns into an ominous prophecy.

Shannon Amen(en)

Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.

I, Chinese(en)

An influencer famous for his racist Chinese impressions faces consequences when his family gets involved.

Swinging Light(en)

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

Photogenies(fr)

Lost short film.

Four Years of Night(en)

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.

Wolfe(en)

"Wolfe" is an intimate confessional from Nick, who learned through puberty that the imaginary friend in his head was real, and violent.

Revolution of Our Times(cn)

Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.

A Memory of Last Summer(pl)

Warsaw, mid-1980s. When it seemed that the Christmas party with her parents could not be more boring, Basia unexpectedly meets someone very familiar...

NiiSoTeWak: Two Bodies, One Heart(en)

NiiSoTeWak means “walking the path together.” Tapwewin and Pawaken are 10-year-old brothers trying to make sense of the world, their family and each other. They’re already grappling with some heady questions about identity. What does it mean to be a twin? What does it mean to be Cree? How do you define yourself when you’re forever linked to someone else? The twins discuss these questions with their two elder brothers — 22-year-old actor Asivak and 20-year-old basketball player Mahiigan — and their parents, Jules and Jake.

Uncle Jake(en)

Thelma & Louise: Born to Live(fr)

The story was born from the pen of debutante Callie Khouri: Thelma, married to a macho man, and Louise, an independent waitress, go on a girls' getaway that turns into a runaway when the latter, during a stopover in a bar, shoots a man who was trying to rape her friend. But at the dawn of the 1990s, screens were dominated by testosterone-fueled opuses, and Hollywood studios were reluctant to entrust the steering wheel to a female duo. Seduced by the script, forwarded by his associate Mimi Polk, Ridley Scott agreed to produce the film and decided, against all odds, to direct it himself. Under the British director's watch, the two accidental outlaws, fabulously portrayed by Susan Sarandon and Geena Davis, flee across the vastness of the Far West on an emancipatory epic that sees them defy male oppression and reveal themselves to themselves.

A Fire(fa)

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

The Society of the Spectacle(fr)

Guy Debord's analysis of a consumer society.