Community First, A Home for the Homeless(2019)

The Last Becak's Sepatbor Painter(jv)

Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.

The Voice of Betawi(id)

Irama Betawi is the name of an ondel-ondel group that still actively busks in Jakarta. Sometimes they busk on the streets. Other times, they are invited to play on special occasions. Through their journey taking public transportation to move from one corner of the city to another crowded corner, we get to know the day-to-day life of a dynamic group of people who are eager to make a living.

Luar Biasa(jv)

Joko Supriyanto is a high school student in Yayasan Pendidikan Anak Luar Biasa (Special Needs Education Foundation) Cepogo, Boyolali--a foundation that facilitates education for the children with special needs. Joko has visual impairment that disables him to see normally.

The Creek(en)

Filmmaker Warren Harrison captures the memories and experiences of people who grew up as part of a unique community at Greatham Creek, a salt-marsh near Hartlepool in the Tees Valley. One of those who’s memories are recorded is photographer Ian Macdonald whose haunting images of the creek are used in the film along with family photographs, archive film provided by the North East Film Archive and contemporary footage.

Art with Every Breath(en)

Savannah-based artist Jerome Meadows reflects on his creative process and deep connection to his community through work confronting racial inequality and celebrating cultural resilience.

Des Rives(fr)

Africa Light / Gray Zone(en)

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Wal-Mart: The High Cost of Low Price(en)

This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.

Robot Somnambulism(zh)

In this era, robotic peo- ple making humanized machine, is it a hopeless tragedy, or the beginning of a brave new world?

Golek Garwo(jv)

Golek Garwo is a matchmaking forum, held monthly vis-a-vis in Yogyakarta. Basri (62), a worker who longed for love and one out of hundreds of participants of the event, falls for Musiyem (56), who is also a participant. They then decide to join a mass wedding, but Basri’s wish for a life together turns out differently in reality.

Fadia’s Tree(en)

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

Making Dust(en)

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

Down Friday Street(en)

Experimental documentary by Tobe Hooper and collaborators.

Nose and Tina(en)

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

Crossroads(be)

Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.

Hidden(es)

A homeless couple looks for a way to get ahead, working and making an effort, while trying to overcome their past.

S.P.I.T.: Squeegee Punks In Traffic(en)

We follow Roach, a 17-year-old ex-junkie and squeegee punk living on the streets of Toronto and Montreal. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.

Balmoral(en)

As historic ships vanish from British waters, a group of passionate volunteers fights to save the Balmoral—a 1949 passenger vessel moored in Bristol’s iconic harbour—battling time, bureaucracy, and financial struggles to preserve a piece of maritime history before it’s lost forever.

Persecution Blues: the Battle for the Tote!(en)

In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.

Six Seasons and a Finale(en)

The cast and crew of Community reflect on creating the final season of the show.