Nai Nai follows the story of a Chinese immigrant grandmother, Chu-Ming Wu. Known as “Nai Nai,” Chu-Ming has always been a woman of control. But her grasp of reality and the control of her own mind is slipping away. Told through the lens of her grandson, the film focuses on the joyful, heartbreaking and intimate moments in the last chapters of her life.
Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
An intimate confession of a girl who was diagnosed with diabetes at the age of 23, created as an assignment for a Documentary Film course. In the form of a conversation with herself and her mother, she examines the impact of the disease on her life. The film thematically explores the mental space occupied by the illness and the way she copes with the new circumstances.
More than 37,000 Chinese citizens entered the US illegally via its southern border in 2023, hoping to find a better life in America. Many more are following in their footsteps, often with young children in tow. To reach the Land of the Free, they embark on a most treacherous journey: the migrants first need to reach Ecuador, the country closest to the US that would grant Chinese passport holders visa-free entry. From there, they need to cross Colombia, Panama, Costa Rica, Nicaragua, Honduras, Guatemala and Mexico, all illegally, to reach California. In this documentary series, CNA correspondent Wei Du travels the route with the Chinese migrants, and try to understand why they've been driven to such desperation, and if the American Dream is all it's made out to be.
High school graduation doesn't come around often. Not only is it a day of celebration, but also a day of tears and apprehension. Milestone No. 1 follows Jack, a senior at the local high school, who is getting ready for his day of graduation, and the various tasks he needs to complete before arriving at the venue.
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.
In 1975, a seven-months pregnant Vietnamese refugee, Giap, escapes Saigon in a boat and, within weeks, finds herself working on an assembly line in Seymour, Indiana. 35 years later, her aspiring filmmaker son, Tony, decides to document her final day of work at the last ironing board factory in America.
Jason Momoa's story of fatherhood, craftsmanship, and the legacy he'll leave behind.
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
Living in downtown Toronto to attend school, Lina Li returns to the comfort of home in Thornhill and her mother's cooking. In this candid short, filmmaker Lina Li and her mother engage in an intimate conversation about immigration to Canada, misunderstandings, barriers to communicating, love and the taste of home.
After working abroad for five years, filmmaker Ajahnis Charley returns home to Oshawa, Ontario, in the age of quarantine. In addition to reuniting with his family, he returns with a mission to share some deep personal truths. Surprising conversations ensue with his mother and three siblings creating, in this humorous and heart-wrenching story about our need to seek love and acceptance within our own families.
Renee Tajima-Peña takes to the road to investigate questions about Asian-American identity.
Nearly a decade in the making, The House We Lived In is a strikingly candid portrait of a family transformed by a father’s brain injury. In 2011, 61-year-old Tod O’Donnell awoke from a coma with a case of total amnesia that doctors assured his wife and children was temporary. But when it proved permanent, and for no discernible reason, the O’Donnell’s were left to themselves to untangle the mystery — a struggle for answers that would only raise more questions as they came to realize, painfully, that the real mystery was Tod himself.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
Filmmaker Evie Wray travels to rural Kansas in an attempt to reconnect with her mentally unstable mother, Evie, for the first time since Evie’s psychotic breakdown five years earlier. She finds a parent still chasing her demons, both real and imagined, struggling to make a career for herself as an abstract artist and searching for the Geodetic Center of the United States, the finding of which, Evie says, will bring about world peace.
A Dad's excessive use of Facebook/Memes is put into question by his family.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.