Omniscient perspectives shoot vibratory gleams through human projectors statically displaced across the screen. Superimpositions at fever pitch falling apart and compressing into new molecular lattices. Peripheral fantasies imagine forth collusioned destinies. A yin/yang interchange makes light's transparency into density, while the darkness metamorphoses into thin lucidity. Hands in peristaltic motion grasp and release, conjuring interstitial embroideries. Landscapes yield their own maps in topographical patterns.
Omniscient perspectives shoot vibratory gleams through human projectors statically displaced across the screen. Superimpositions at fever pitch falling apart and compressing into new molecular lattices. Peripheral fantasies imagine forth collusioned destinies. A yin/yang interchange makes light's transparency into density, while the darkness metamorphoses into thin lucidity. Hands in peristaltic motion grasp and release, conjuring interstitial embroideries. Landscapes yield their own maps in topographical patterns.
1982-01-01
6.3
BLUE WHITE, "an intonation of child birth"; BLOOD'S TONE, "a golden nursing film"; VEIN, "a film of baby Buddha masturbation."
Three Senior police officers in different parts of India, who, well aware of the intelligence that Gandhi’s life in under threat, must take key decisions that would eventually either save the Mahatma, or the country.
Two burglars release dozens of cats into a neighbourhood and start the dogs barking. They use the din to their advantage and dig up a bag of loot. However, the situation snowballs and turns into the worst night the burglars ever spent.
A highly respected and revered baseball coach has been accused by a female student of conducting some kind of research that borders on sexual molestation. When her parents decide to report him to the authorities. They are held in contempt, because the community can't believe that this wonderful man could do the things that they are accusing him of.
An early widescreen film that was told by cutting the two sides of the image off and replacing them with a different image.
An operator refuses to answer an emergency call.
On a parking space near the sea in Calais (North of France) some lonesome people are gathered without a specific reason.
It was the last days of June 1942. The fascist troops were tearing towards Sevastopol, and fighting was already going on in the city itself. Ships of the Black Sea Fleet had already broken through to Sevastopol more than once, delivering replenishment, ammunition and weapons. And now, destroyers "Daring" and "Stremitelny" receive a new order to go to Sevastopol. This way is known to sailors well enough, but the fascists repeatedly mined the only fairway to Sevastopol, and enemy aircraft constantly attacking destroyers. At the cost of losing the "Daring" sailors manage to break through to Sevastopol. But the hardest tests fall to the sailors on the way back, when overloaded with wounded "Stremitelny" returns to his native port.
An extended live set comprised of many of Malmsteen's hits along with his two legendary guitar performances ("Black Star" and "Far Beyond the Sun").
A young mother of limited means puts everything on the line to pursue her dream of becoming a competitive runner.
The story is about a poor lorry driver named Bhaskaran (Kalabhavani Mani), who tries to give his son Kunjunni (Ashwin Thampi), a good education by sending him to a very expensive school. The rest of the story revolves around the events Kunjunni goes through in his life.
A decorated Army veteran goes undercover as a prison inmate to investigate the death of a Senator's grandson, who was killed while behind bars. Once under lock and key, he finds himself at the mercy of an all-powerful guard whose deadly influence reaches far beyond the prison walls. His only chance for freedom now is to escape ... or die.
A large city is in a state of panic, in workplaces and in homes people are discussing the terrible fate that has befallen a little girl named Birte. A sex offender has been at play, he has been haunting the city's parks and facilities for a long time, and his latest victim is Birte Elkær, daughter of the scientist Hans Elkær and his wife Martha. The police have deployed extra personnel, and they are now searching for the second day. Will the little girl be found alive?
This short documentary takes a look at the making of Twentieth Century Fox's 1944 film "The Lodger".
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Short about the daily life of the Apaches, including their ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.
Documentary about four Chinese lesbian women who seek contract marriages with gay men, and form of their lesbian and gay community and fulfill their desires.
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
In recent years, more than 2,500 books have been removed from school districts around the US, labeled as banned, restricted, or challenged, and made unavailable to millions of students. By no accident, the themes targeted are the usual scapegoats of the American Right—LGBTQ+ issues, Black History, and women’s empowerment—impeding the power of future generations to develop their own thoughts and opinions on critical social issues. By weaving together a lyrical montage of young readers and authors, THE ABCs OF BOOK BANNING reveals the voices of the impacted parties, and inspires hope for the future through the profound insights of inquisitive youthful minds.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.
Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.