What the Wind Took Away(2017)

Draussen bleiben(de)

Song of Umm Dalaila, the Story of the Sahrawis(en)

Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.

Dyab(ku)

12-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.

Warehoused(en)

An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.

Lost in Lebanon(en)

As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.

HALEMEH(ar)

In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.

The Donut King(en)

Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.

Süchtig nach Jihad(de)

The Dream(ar)

Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.

Out from the Ashes(en)

Milena, a young woman from Ukraine, who along with her mother and grandmother (and cat), desperately struggle to escape their war- torn home while an army of supporters on the opposite side of the world fight to keep them safe. Milena survived the destruction of Mariupol, cowering for a month in the basement of a bombed-out building, watching her home and history burn. She managed to contact Ken Pontac, long-time Facebook friend and father figure. Their conversations bolstered Milena's spirits while Ken listened with growing apprehension.

Aya(en)

In a town near Calais that looks like the Wild West, big-hearted 50-year-old Lydie shelters Zimako, an unruly, paperless migrant from Togo.

När världen kom till Ronneby(sv)

With the refugee influx in 2015, Ronneby gained 3,000 new inhabitants and the schools 1,000 new students. Tom Alandh traveled to Ronneby to find out how this has affected society and its inhabitants and their real and perceived security.

Salam Neighbor(en)

Two Americans deliberately head to the edge of war, just seven miles from the Syrian border, to live among 80,000 uprooted refugees in Jordan's Za'atari refugee camp.

Love in the Face of Genocide(ku)

The Ezidîs (Yazidis) in Kurdistan have been the victims of massacres numerous times. This documentary follows their bards, the dengbêj, and examines how their songs tell stories of love and genocide.

Life Ahead of Her(fa)

La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.

Another Kind of Girl(en)

Filmed during a media workshop for Syrian girls in Jordan's Za'atari Refugee Camp, 17-year-old Khaldiya meditates on how the camp has opened up new horizons and given her a sense of courage that she lacked in Syria.

Fugitive, Where Are You Running to?(fr)

Life for refugees and migrants stuck at Calais: Filmed amidst the camps, the beaches, the sea and the sky, impressions of the lived experiences of these people wavering between despair and hope.

Life on the Border(ku)

The fate of thousands of people is unified under the tarpaulins of the refugee camps in Kobanê and in Shingal. Kurdish filmmaker Bahman Ghobadi has given eight children the opportunity to use a camera to tell their own stories. Each film gives us a glimpse into the plight of the children, as seen through their own eyes. Their stories tell of young people with their whole lives ahead of them, though they’ve already lost almost everything. At a certain point, the film crew leaves the camp and follows the 13-year-old Mahmod and his sister in the search for his parent‘s house in Kobanê. The town has been ravaged by the war and all the children find is rubble. The eight films reveal the courage and openness of the young filmmakers, who share their stories with great intensity, realism and poetry, despite their harsh fate.

After Spring(en)

Close to 80,000 Syrian refugees live in the Zaatari Refugee Camp in Jordan, the second-largest such camp in the world. Fifty-eight percent of its inhabitants are children. After Spring immerses us in the rhythms of the camp, the role of the aid workers, and the daily lives of two families as they contemplate an uncertain future.

District Zero(en)

In Zaatari, Jordan – one of the world’s biggest refugee camps – Maamun owns a little shop: a small white container aligned in a seemingly endless row of identical containers. There he repairs mobile phones of the numerous Syrian refugees. They are anxious to retrieve the devices’ content which consists of memories from the past, a time when the war had yet to begin and they were not yet refugees but just ordinary people. Maamun and his friend Karim invent a new way to satisfy their customers: they buy a printer to print the photos, allowing the camp dwellers to retrieve some of their identity. The film provides an insight into the daily goings-on in a refugee camp.