
"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)
2017-12-01
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Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.
0.0An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.
8.0In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.
6.9Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
9.012-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.
7.2Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.
0.0Milena, a young woman from Ukraine, who along with her mother and grandmother (and cat), desperately struggle to escape their war- torn home while an army of supporters on the opposite side of the world fight to keep them safe. Milena survived the destruction of Mariupol, cowering for a month in the basement of a bombed-out building, watching her home and history burn. She managed to contact Ken Pontac, long-time Facebook friend and father figure. Their conversations bolstered Milena's spirits while Ken listened with growing apprehension.
8.3A harrowing account of Europe's migrant crisis. A family of Syrian refugees separated by the borders of Europe, fight to be reunited as they migrant from Syria to Germany.
6.0In one of the world's largest and oldest refugee camps, Dadaab, the inhabitans survive by watching films and dreaming. The refugees cannot leave the camp, but they let their minds escape the harsh reality: by going to the simple cinema hall run by Abdikafi Mohamed, the film's protagonist.
10.0Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).
7.1Two Americans deliberately head to the edge of war, just seven miles from the Syrian border, to live among 80,000 uprooted refugees in Jordan's Za'atari refugee camp.
6.0"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.
In Zaatari, Jordan – one of the world’s biggest refugee camps – Maamun owns a little shop: a small white container aligned in a seemingly endless row of identical containers. There he repairs mobile phones of the numerous Syrian refugees. They are anxious to retrieve the devices’ content which consists of memories from the past, a time when the war had yet to begin and they were not yet refugees but just ordinary people. Maamun and his friend Karim invent a new way to satisfy their customers: they buy a printer to print the photos, allowing the camp dwellers to retrieve some of their identity. The film provides an insight into the daily goings-on in a refugee camp.
6.0Life for refugees and migrants stuck at Calais: Filmed amidst the camps, the beaches, the sea and the sky, impressions of the lived experiences of these people wavering between despair and hope.
5.8A stark portrait of a town in decline. Brilliant juxstaposition between the scoff faced English day trippers searching for cheap booze, and the cold, snivelling asylum seekers existing on the streets. Thrown into the mix are two English ex pats, trying to make money against the odds.
0.0A Palestinian grain miller in a Jordanian refugee camp safeguards her culture and shares her people’s history through food prepared with love, longing, and sumud—the Palestinian spirit of steadfastness.
0.0Rafi, Salman, Said and Ali are all under 18 years old. They come from Afghanistan, Syria and Pakistan. After months of wandering, fleeing wars in their country, they found themselves stuck in Calais, where they are trying to survive, waiting for something better. Their dream: to get to England. How? By climbing into containers or slipping onto the axles of trucks, risking their lives. Who cares about these isolated minors in the Calais Jungle, the largest slum in Europe?