Repercussion(2017)

Melody(en)

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Kakofonia Hirukoitza(eu)

Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.

Flores Falsas(pt)

A botany of cookie packaging.

FOREIGN AFFAIRS(en)

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Ki or Breathing(ja)

'Ki or Breathing' is a spare concoction assembled from slow motion shots of nature and set to a score by the much-acclaimed Tohru Takemitsu.

Technicolor Dream(en)

TECHNICOLOR DREAM is a video art of vivid imagery and symbolic scenarios. It is a portrayal of passion,agony,memories and melancholy through unorthodox fusion of sight and sound.

Proyecciones del Limbo(es)

Junior War(en)

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in the year 2000. A band plays, the kids get drunk, the boys and girls tepidly flirt, and groups deploy into cars for the purpose of destroying mailboxes, tee-peeing houses, breaking lawn ornaments, and sparring with the police. The film is composed entirely of footage Trecartin took during his senior year of high school in exurban Ohio; as such, it baits the viewer with genealogical significance.

NAO_VA_EMBORA.mp4(pt)

9/11 Simulation in Roblox Environment(en)

CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.

Interrogation(en)

A police interrogation: question and answer, question and answer. A relentless circling around the establishment of guilt, underpinned by a soundtrack of techno beats that hit you in the gut. Ignas Krunglevicius' two-channel video installation is based on real-life police records: Detective Robert John is questioning murder suspect Mary Kovik. She is accused of killing her husband with his own shotgun. In the video, the people speaking can neither be seen nor heard. They are present only in the form of their words, which appear in the frame in written form, as if on an autocue. In this way, Krunglevicius - also a composer and musician - draws attention to the language of power and to the mechanisms of manipulation and coercion. At the same time, he explores the activation of the imagination as an important prerequisite for empathy.

Enigma: Nazo(ja)

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Rectangle & Rectangles(en)

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

Kill Your TV: Jim Moir’s Weird World of Video Art(en)

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

Living in the World(en)

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.

A Weak & Panicked Animal(en)

Enclosed by a civilised landscape, society reduces the problem of human survival to a minimum. The sidewalk, the fence, the clearing, demarcate a treaty between man and nature whereby neither one of us shall pass these thresholds lest we become subject to the law of the other.

I'm Oh So Blurry(he)

A film by Osnat Shalev from the Department of Visual Communications, Bezalel Academy of Art and Design

Technology/Transformation: Wonder Woman(en)

The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'.

Macabre Metrics(ko)

A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.

Candle(en)

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.