Kodak: Take Pictures Further(1996)

Mustapha El Atrassi - La Vie Est Folle(fr)

Immersion in Mustapha's mind during the lockdown period.

Walfang im südlichen Eismeer(de)

The escort vessel with the harpoon searches for whales. The sailor on the observation mast points to a whale. The whale is hit with the harpoon. The prey is pulled into the main ship with winches, where it is cut up and processed immediately.

Der Blinde und sein Hund(de)

The film offers three excerpts from the life of a working blind person. It shows in particular the extent to which the guide dog can replace the blind person's lack of sight and how this results in a relationship of loyalty between man and animal of rare intimacy.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Adios amigo mío, sin gestos, sin palabras(en)

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".

Glamour Reel Docs: Dreamland(en)

Tommy Hilfiger Dreaming Perfume campaign - Coney Island, the playland of New York City, documents the preservation of the lifestyle, joys and history of this iconic Brooklyn neighborhood.

Glamour Reel Docs: Soul Tigers(en)

Soul Tigers Marching Band, Inc. has stepped into the breach to offer not just music education and the arts but the development of integrity, honorable personal conduct, and patience & respect for others, for some New York’s most underserved youth populations.

A Última Sala(pt)

In Song: Arturo Chacón-Cruz(en)

Journey to the sunny coastline of South Florida, where Chacón-Cruz — one of opera’s leading tenors — invites you inside his home, his artistry and his history to show how he’s embraced his identity as fuel for his work.

Vnuci Antoina de Saint-Exupéryho(sk)

Family Strands(en)

Three generations of women represent the past, present and future of hairstyling. Lisa Bruno, Jessica Fera and Keyra Bruno navigate a journey of growth in their careers and family; leading and learning from one another within their satisfyingly creative world of colours and cuts.

The Role of Chance(fr)

"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.

Radioisotopes and the Age of the Earth(en)

The principles, methods and data from radioisotopes are explained very simply to illustrate conflicting ideas on the age of the earth.

Screen Snapshots (Series 1, No. 20)(en)

Intimate views of the movie stars of the Silent Era, at work and play; featuring Sessue Hayakawa, Lillian Gish and others.

Caucasian Gates(ru)

Short documentary about the Georgian Military Road. Captures Ingush and Ossetian settlements of the early 20th century

Naim and Wadee'a(en)

A documentary exploring social life in Yaffa before 1948 through a miniature portrait of a Palestinian couple, Wadee’a Aghabi and Naim Azar, constructed through the oral histories presented by their daughters and relatives.

Dams: The Lethal Water Bombs(en)

Documentary short about the disastrous dangers of aging, ailing dams.

Without Legends(ru)

In 1968 Herz Frank made Without Legends (Bez leģendām) at the Kuibishev studios, together with Aloizs Brenčs and Aleksandr Sazhin.

Castles in the Sand(ru)

One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.

Your Very Personal Poetry(ru)

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.