Bartoli in Italy(1998)

Falstaff(it)

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

Poulenc: Dialogues des Carmélites(en)

Yannick Nézet-Séguin leads the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom. Mezzo-soprano Isabel Leonard sings the touching role of Blanche and soprano Karita Mattila, a legend in her own time, returns to the Met as the Prioress.

The Metropolitan Opera: La Fille du Régiment(fr)

Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.

Veselé paničky windsorské(sk)

Dvě vdovy(cs)

The Beatrice Arthur Special(en)

The Beatrice Arthur Special was a prime time U.S. television special broadcast on CBS on January 19, 1980. The production centered around Bea Arthur, who was joined by guest stars Rock Hudson, Melba Moore and ventriloquist Wayland Flowers with his puppet Madame in a series of musical numbers and comedy sketches.

TCB(en)

TCB is a 1968 television special produced by Motown Productions and George Schlatter–Ed Friendly Productions of Laugh-In fame. The special is a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing a combination of showtunes, specially prepared numbers, and popular Motown hits, the special was taped before a live studio audience in September 1968 and originally broadcast December 9, 1968 on NBC, sponsored by the Timex watch corporation. The title of the program uses a then-popular acronym, "TCB", which stands for "Taking Care of Business".

Singer Presents Burt Bacharach(en)

On March 14, 1971, SINGER PRESENTS BURT BACHARACH was shown on CBS and featured Barbra Streisand joining the composer at the piano for an intimate conversation about life, love and music, as well as several performances - in addition to appearances by Tom Jones, Rudolf Nureyev and Bettie De Jong, too.

Liberace: A Valentine Special(en)

Join Liberace in his hot air balloon as he touches down at the Hilton Hotel in Las Vegas, Nevada and jumps on stage for a Valentine's Day concert like no other! There's also a tour of the Liberace Museum, his private home and the Queen Mary where Sandy Duncan and Lola Falana join him in song, dance and laughter.

Gianni Schicchi(it)

When the rich and powerful Buoso Donati dies, his family's excitement about his estate is infinitely greater than their sorrow over his loss. They start searching for his will like a flock of hungry vultures. Apparently Donati has bequeathed everything to a monastery. There is absolutely no way they will allow this to happen. They search any means to seize the fortune. Rinuccia, the youngest scion of the family, suggests asking Gianni Schicchi, the father of her lover, for advice. They shudder at the mention of his name, but Gianni Schicchi is already on his way and proves to be a man with ideas.

Shirley MacLaine: Gypsy in My Soul(en)

Musical Special featuring Shirley MacLaine in her tribute to chorus dancers, colloquially known as "gypsies." Produced by Cy Coleman and Fred Ebb, the special uses a self-referential show business plot in which the star rehearses for her television special about the life of a dancer. MacLaine performed a wide range of songs including "Lucy's Back in Town," during which Lucille Ball made a "surprise" appearance. The program won Outstanding Special: Comedy-Variety or Music at that year's Emmys as well as awards for writing (Ebb), music composition (Coleman), and choreography (Tony Charmoli).

Annie: The Women in the Life of a Man(en)

A CBS television special, renowned for its legendary "Yma, Ava....Yma, Uta... Yma, Oona" sequence. Annie: The Women in the Life of a Man (1970) won Anne Bancroft her only Emmy for her portrayal of 14 different woman in 14 musical and comedy sketches. Bancroft's husband Mel Brooks contributed to the script and also appears onscreen.

Beethoven: Fidelio(de)

Beethoven's opera Fidelio, conducted by Karl Böhm, featuring Gwyneth Jones as Leonore and James King as Florestan

Sevil(az)

The film takes place in Baku in 1918-19 and then several years later. The film is based on the opera of the same name by Fikret Amirov. Sevil became the first film opera in the history of Azerbaijani cinema.

Petula(en)

In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.

Puccini: La Bohème(it)

Puccini’s evergreen paean to young love and the bohemian life has captivated generations of Met-goers through Franco Zeffirelli’s iconic production. Movie theater audiences for the high-definition transmission of this staging got to see it with fresh eyes in a touching performance starring Angela Gheorghiu and Ramón Vargas as the frail seamstress and her poetic lover.

Giuseppe Verdi: Macbeth(en)

The acclaimed Italian director, Emma Dante, presents a powerful, barbaric and at time frenzied Macbeth with great attention to detail. Staged and filmed in Italy's largest theatre, the Teatro Massimo in Palermo, Sicily, this production captures remarkable performances by the Italian soprano Anna Pirozzi as Lady Macbeth, the renowned Verdi specialist, baritone Roberto Frontali, in one of his signature roles, and the rising star, Croatian bass-baritone Marko Mimica as Banco (Banquo). The conductor, Gabriele Ferro, has opted to use the 1865 Paris version of the score, sung in Italian and without the ballets, for a production that received generous praise in Palermo and on tour.

Richard Wagner: Parsifal(de)

The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.

The Sandy Duncan Special(en)

This program features then-newcomer Sandy Duncan in her first network television special. Only a few years after being passed over by Gene Kelly for a role in Hello Dolly, Duncan's star had ascended so far so fast that he was now her special guest star. Paul Lynde is also featured in a campy version of "Bad, Bad Leroy Brown".

Peter Pan(en)

Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.