TCB is a 1968 television special produced by Motown Productions and George Schlatter–Ed Friendly Productions of Laugh-In fame. The special is a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing a combination of showtunes, specially prepared numbers, and popular Motown hits, the special was taped before a live studio audience in September 1968 and originally broadcast December 9, 1968 on NBC, sponsored by the Timex watch corporation. The title of the program uses a then-popular acronym, "TCB", which stands for "Taking Care of Business".
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TCB is a 1968 television special produced by Motown Productions and George Schlatter–Ed Friendly Productions of Laugh-In fame. The special is a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing a combination of showtunes, specially prepared numbers, and popular Motown hits, the special was taped before a live studio audience in September 1968 and originally broadcast December 9, 1968 on NBC, sponsored by the Timex watch corporation. The title of the program uses a then-popular acronym, "TCB", which stands for "Taking Care of Business".
1968-12-09
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The Supremes, and The Temptations sing their greatest hits of the 60s plus some unforgettable standards.
A TV musical special starring Cheryl Ladd and her guest stars in various musical numbers and vignettes.
Barbra Streisand's first television special, featuring a medley of her hit songs, such as "People," "Happy Days Are Here Again" and "My Man."
Train wreck, some might call it a TV special, proving that not everything was better in the good old days. That includes Rolling Stone Magazine.
Steven, a character from Alice Cooper's album “Welcome to My Nightmare”, encounters a surreal dream fantasy, guided by the spirit of the nightmare.
In this variety special, Olivia shares the evening with Andy Gibb, Elton John, Ted Knight, Gene Kelly and Toni Tennille. The special included songs from Grease and the Totally Hot album as well as some other artists' covers : the Eagles, Bob Seger, Elton John and Buddy Holly. Olivia also performed a parody of the jazz/blues classic Makin' Whoopee with Gene Kelly, changing the lyrics to Makin' Movies and dealing with Olivia's dream of producing a musical. The show was aired internationally and did very well in the ratings, as did her two previous US television specials on the same network. It is to be noted that Tina Turner's appearance on Olivia's special helped her sign a contract with then Olivia's manager Roger Davies, who ultimately helped her to go back into the spotlight.
This program features then-newcomer Sandy Duncan in her first network television special. Only a few years after being passed over by Gene Kelly for a role in Hello Dolly, Duncan's star had ascended so far so fast that he was now her special guest star. Paul Lynde is also featured in a campy version of "Bad, Bad Leroy Brown".
Ann-Margret gave viewers a double dose of movie star glamour in 1975, with a pair of TV specials designed to showcase her musical and comedic talents. Arriving first up in January was this program "Ann-Margret Olsson" with guest stars The Osmonds and Ike & Tina Turner Turner. (The follow-up special "Ann-Margret Smith" debuted in November.)
Broadway salute to Tony Award-winning actress Angela Lansbury in a star-packed gala November 17,1996 at the Majestic Theatre on Broadway. The event was to benefit the American Foundation for AIDS research (AmFAR) and Broadway Cares/Equity Fights AIDS. Long a supporter of AmFAR and a deeply committed friend to all people with HIV/AIDS, Lansbury was also presented with a humanitarian award at this star-packed celebration.
Celebrating Sammy Davis Jr 's 60th anniversary in show business, including musical,comic and dancing performers.
A collection of Olivia's videos mainly from her 1981 album Physical. Brian Grant directed these innovative musical videos, this was pre-MTV and won the 1982 Grammy for best video. Said to cost half a million dollars to produce, it was filmed in California (at Olivia's house), London and Hawaii. It boasted 35 per cent of the US viewing audience when it first aired. Tracklist 1 Intro 2 Rolling 3 Landslide 4 Magic 5 Physical 6 Carried Away 7 A Little More Love 8 Recovery 9 The Promise (The Dolphin Song) 10 Love Make Me Strong 11 Stranger's Touch 12 Make A Move On Me 13 Falling 14 Silvery Rain 15 Hopelessly Devoted
Adam Sandler takes his comical musical musings back out on the road, from comedy clubs to concert halls to one very unsuspecting subway station.
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.
Carol + 2 was the title of the second of a multi-year series of television variety specials starring Carol Burnett which aired on the CBS Television network in the United States between 1962 and 1989. The first special was produced in 1962, featuring Burnett and Julie Andrews. Carol + 2 premiered on March 22, 1966, with Carol joined by actor Zero Mostel and the legendary Lucille Ball. The program was such a critical and ratings success that CBS rebroadcast it on January 15, 1967.
Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.
A CBS television special, renowned for its legendary "Yma, Ava....Yma, Uta... Yma, Oona" sequence. Annie: the Women in the Life of a Man (1970), won Anne Bancroft her only Emmy for her portrayal of 14 different woman in 14 musical and comedy sketches. Bancroft's husband Mel Brooks contributed to the script and also appears onscreen.
Musical Special featuring Shirley MacLaine in her tribute to chorus dancers, colloquially known as "gypsies." Produced by Cy Coleman and Fred Ebb, the special uses a self-referential show business plot in which the star rehearses for her television special about the life of a dancer. MacLaine performed a wide range of songs including "Lucy's Back in Town," during which Lucille Ball made a "surprise" appearance. The program won Outstanding Special: Comedy-Variety or Music at that year's Emmys as well as awards for writing (Ebb), music composition (Coleman), and choreography (Tony Charmoli).
The Beatrice Arthur Special was a prime time U.S. television special broadcast on CBS on January 19, 1980. The production centered around Bea Arthur, who was joined by guest stars Rock Hudson, Melba Moore and ventriloquist Wayland Flowers with his puppet Madame in a series of musical numbers and comedy sketches.
Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs her songs such as the title number and a medley of songs from the film Cabaret (1972).
In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.
An enchanting variety special which reunites Dick Van Dyke and Mary Tyler Moore in song and dance. Numbers include "On The Other Hand", "Life Is Like A Situation Comedy", "Food Medley", "Do You Love Me?". Moore's participation in this special led directly to her being offered her own series by the network . This was the beloved "The Mary Tyler Moore Show".