Desesperadas medidas(2025)

Ojalá pudiera decir la verdad(es)

After collecting multiple records related to a painful family tragedy, Victor dives into the archive in search of answers about what really happened on January 26, 1983

Cien libros juntas(es)

Modulaciones en la Terraza(en)

Film made with two photographs taken at the Unité d’Habitation, built by Le Corbusier in Marseille. For the editing the film are used a film adaptation of the rules of the Modulor, measurement system designed by Le Corbusier himself. Includes a tribute to Paul Sharits and another to Agnès Varda.

Disconnection(es)

In this video essay, the filmmaker reflects on the contrast between himself and the space around him, a student dormitory.

Grata(es)

Reflejos(es)

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

Ritual de Luz(es)

El Perú es un lugar para morir(es)

Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.

El doble fin de semana de los críticos(es)

Puentes(es)

Ecos del silencio(es)

May You Live in Interesting Times(es)

Marcos was once a successful author of children's books. For years, his goal has been to finish his first "adult" and "serious" novel. But his lack of social interaction, his excessive ambitions, and the influence of the drugs he grows and sells for a living don't help him. He is about to give up when his friend Walter suggests another path: Marcos just has to live a more intense life. And write about it, like so many great writers...

L'homme qui fume(es)

Growth is beautiful, and often progress, too, but if it's not measured, growth can be predatory. Made using the principles of essay film, and using an anonymous character, this film chronicles and critiques how provincial cities grow, change, and gradually lose their identity.

Narciso(es)

A young man tries to charm a figure similar to himself.

El Precio del Dinero(es)

Héctor Vicario is an unhappy accountant who hasn't been able to make it in life, while his twin brother, Thiago, is the complete opposite: a highly successful musician. After their father's death, the two must reunite to plan the funeral and face what life has in store for them after a long period of separation.

Confesión en dos tonos(es)

Can an adolescent experience define our perception of love? Can or should everything be connected or have a reason? A character recounts to his niece or nephew, in the form of a confession, an event from his adolescence that defines his particular way of perceiving love. While this exercise serves to tell a story that, regardless of genre, has surely been experienced by more than one person, it expresses the director's idea that discourse can sustain a work on its own, even if what is depicted on screen appears to have no connection.

Un corto de mierda(es)

Reserve(es)

The wolf no longer inhabits the land that once formed part of its territory, and only through its outlines can we get closer to it; remnants of wolf traps, predator urine imported from the US, a dung-hill used to feed scavenger birds and archers that shoot at replicas of animals. Reserve constructs a story about the fragile balance of a territory after the disappearance of the predator, where the complex co-existence between humans and non-humans presents a distinctly marked anthropogenic ecosystem.

James Thurber: The Life and Hard Times(en)

The first major documentary film on James Thurber's life and work includes a look at the humorist's accomplishments as a journalist, playwright, cartoonist and social critic.

Lisbon Revisited(pt)

A dreamlike journey seen through the eyes of a trans-human as well as a kino-symphony of voices from the multiple personas of Fernando Pessoa, Lisbon Revisited shows alternative ways of looking at and hearing the city. Celebrating its greatest phantom and confronting his ambiguous and pervasive sexuality, the film is spoken in the three languages in which Pessoa wrote, Portuguese, English and French.