Uneven Steps(2025)

La Timidité des Cimes(xx)

EXILE(en)

An immigrant's last attempt to restore childhood innocence on strange lands.

Loop(en)

Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop...

Worlds(en)

Thirty-six layers of water aligned to create a perfect circle. 2 of 2

Dogville(en)

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

Den Pobedy: Victory Day(uk)

"Den Pobedy" (Victory Day) is counted among the most important celebrations for many former Soviet Republics. It is held on May 9 and commemorates the victory of the USSR over Nazi Germany in the Great Patriotic War (1941-1945). This day pays homage to the war veterans and to the over 26 million Soviets who lost their lives fighting this war. Kalinichenko Vasily Porfirievich fought in the Red Army on the 3rd Ukrainian Front and on the 1st Belarusian Front. As a member of the 226th Infantry Regiment he entered Berlin on April 22, 1945. This documentary explores the war, his life and his family story.

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

A Bunch of Questions With No Answers(en)

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.

Escape(en)

An experimental short film that follows a man who arrives home alone during the holidays after a long day of work. Finding himself consumed by his loneliness he looks for a way to escape.

Self Decapitation(en)

Self Decapitation is a Janus-headed self-portrait by Rouzbeh Rashidi and Maximilian Le Cain in which death and desire each take possession of this film in two parts. The ambiguities of inhabiting a human body are conjured by way of film technology in its faults, faulty memories and false promises. There is no escape from its haunting – except perhaps to haunt it in turn…

ECDYSIS(xx)

Dusk or dawn, stuck in subconsciousness until we can’t separate between the true self and appearances. Is it even possible that we will be free from our own sake?

Der junge Eskimo(de)

A visual epic about subliminal longings and the aesthetics of suffering. A work of atmospheric images and sounds dedicated to the retina, the eardrum and the soul. The young Inuit - the sea seems to have washed him up one day, to some place forgotten by God and time. Time, which is commonly called life, sticks to his fingers. Three steps behind him leaps the parasite of eternal suffering. The story begins in this enraptured sphere, focusing on a series of episodes in which the young man's fate takes its course: in a strange world that knows its own laws.

Daydreaming(en)

An aspiring model sinks into lunacy because of her insecurities.

D Train Through Bensonhurst(en)

Fragments of interesting people and things amongst a handful of D train stops in Queens, New York. Filmed on Super 8 mm.

Swinging Light(en)

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

Distant Nixa(en)

The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.

Cherry Blossoms(de)

After finding out that her husband, Rudi, has a fatal illness, Trudi Angermeier arranges a trip to Berlin so they can see their children. Of course, the kids don't know the real reason they're visiting -- and the catch is, neither does Rudi...

Days, Months, Years and Nothing Else(en)

This short film, built around a randomly chosen name and composed of scenes shot within a single room over the course of three hours, features an introspective monologue that was shaped and adapted during the editing process. The narrative aligns closely with the emotional tone and visual rhythm of the piece, particularly in harmony with the non-original music selection, Maggot Brain by Funkadelic.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

By Pain and Rhyme and Arabesques of Foraging(xx)

This timeless experimental film draws on the work of 17th century scientist Robert Boyle to present a varied combination of texts, objects, colours and textures. The traditional tone of the cinematic impressions takes us back into the past (evocations of Boyle’s era, projection using damaged film stock) and the images have something of a cathartic quality about them. The title of this dream-like, mood- -inducing film, a tribute of sorts to the Irish thinker, was inspired by a Jorie Graham poem and underlines the nature of the 14-year process during which the film came together.