

Carli De La Fuente
Pablo De La Fuente
Martín Fresneda
Ramiro Fresneda

2025-03-21
0
0.0Through archival footage and testimonies from professors, students, staff, and graduates, the documentary traces the history of the National University of Arts, focusing on the Audiovisual Department, while critically addressing the impact of the current government's underfunding of education and cultural institutions in Argentina.
Draped in an electric blue fabric, the artist acts as a conduit between the tangile and the spiritual, blurring the boundaries between human form and natural elements.
0.0This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.
0.0A 3D dragon has become a 2D character. In his quest to recover, he discovers fragments of Argentine animation, new friends and teachings.
0.0Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.
7.5His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.
0.0In this documentary about the exile of two famous French actors in Argentina during and after World War II, the director Cozarinsky returns to Argentina after many years in France and recalls places and events from his childhood, particularly the celebration of the liberation of Paris on in August of 1944, in Buenos Aires's Plaza Francia. Featuring testimony from various authors and acquaintances of Maria (Renee) Falconetti and Robert Le Vigan, the film explores their lives and final years in Argentina.
6.0Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
6.3The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.
8.0At the end of the last civil-military dictatorship, a camouflage operation took place in the Information Service, an office of the former Rosario Police Headquarters that operated as a clandestine detention center in the heart of the city. This architectural intervention, not recorded in the plans, obscures the survivors' accounts and hides the traces of crimes against humanity. Drawing on images, previously unpublished archives, and survivor testimonies, the documentary explores the scars of political repression and highlights the importance of preserving memorial spaces to ensure the transmission of fundamental events in our contemporary history.
0.0Faced with a lack of prosecution of those accused of crimes against humanity committed during Argentina’s military dictatorship, family members and descendants of the country’s estimated 30,000 disappeared took action. In the mid-1990s, they began gathering outside of accused perpetrators’ homes and workplaces to publicly shame them and raise awareness about the government’s systematic and brutal targeting of its people — and how it had gone unpunished. The human rights group HIJOS (Sons and Daughters for Identity and Justice Against Forgetfulness and Silence) led and labeled this direct-action style of protest “escrache,” or exposure.
It chronicles the encounter between Graciela Fernández Meijide, whose son Pablo was kidnapped in 1976 by the military dictatorship and who became a human rights defender; and Héctor Ricardo Leis, a former member of the Montoneros who went into exile after the coup d'état in Brazil. Throughout the documentary, both reveal their memories, experiences, and reflections on the years of lead in Argentina.
0.0The life and work of Argentinian writer Jorge Luis Borges, a long interview, fragments of some of his most significant verses and dramatizations of some of his stories. Borges for everyone.
7.0A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.