The third and final film will cover the trial, scheduled for late 2026, thus completing the Leaving Neverland trilogy. If their cases are successful, the potential positive impact on the United States’ entertainment industry will be huge. Music and movie companies will no longer be able to shrug off responsibility when one of their stars sexually abuses a minor in their care.

Self
Self
The third and final film will cover the trial, scheduled for late 2026, thus completing the Leaving Neverland trilogy. If their cases are successful, the potential positive impact on the United States’ entertainment industry will be huge. Music and movie companies will no longer be able to shrug off responsibility when one of their stars sexually abuses a minor in their care.
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7.1An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
5.1Explores the personal toll on James Safechuck and Wade Robson after they went public with accusations against pop icon Michael Jackson. The two men continue to seek justice as they face backlash from his global army of fans. With exclusive access to court hearings, the film shows the extent to which the Jackson estate has fought to prevent Robson and Safechuck from having their day in court.
8.7Celesta and Karen Davis grew up in a loving family. They shared many wonderful childhood moments and, at the time, thought it all was normal. But when Karen and Celesta were molested in 1978, little was being done about sexual abuse. Their parents' lack of action was neither questioned nor challenged, including years of continued social contact with the perpetrator, his wife and their two young children. Twenty-five years later, feeling unresolved, they begin their quest to find the man who took advantage of their innocence and to ask him something that has haunted them for almost their entire life: "Why?"
6.6Six men who were sexually abused by Catholic clergy as boys find empowerment by creating short films inspired by their trauma.
10.0Inspired by the transformation of the sex-trafficking survivors whose lives she follows, the filmmaker finds the courage to break the silence about sexual abuse in her own life.
7.0An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.
5.5Home videos, TV appearances and performances from the King's early films (including Love Me Tender, Loving You, Jailhouse Rock, and King Creole) tell the story of Elvis Presley's 1950s movie career in this fascinating documentary. Also included are interviews with co-stars and remastered songs such as "Anyplace Is Paradise," "Money Honey," "Blue Suede Shoes," "Heartbreak Hotel" and "Long Tall Sally."
8.5The film describes the scandal of pederastria that exploded in the neighborhood of the Raval of Barcelona and the trial that took place some years afterwards. Jordà analyzes the mechanisms of the justice and of the world of the medias.
7.5In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.
7.5A filmmaker unearths a pervasive history of multigenerational trauma in her Italian-American family. As decades of secrets, home movies, and long-avoided conversations surface, a family once bound by tradition forges a new path forward.
2.0What started for fifteen-year-old Manon as a secret holiday romance at an all-inclusive resort, slowly turned into a memory that she looks back on with less pleasure. She fell in love with Hugo, the big star of the animation team. He wrapped her up with beautiful words, that she was special to him. Although Hugo was much older than Manon, he still had sex with her. At first it felt good, but slowly it turned into a memory that she would rather not think about anymore. What happened during that holiday and how could it have happened? She goes looking for answers and comes face to face with Hugo.
6.8A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.
The Internationally award winning documentary film from Norway follows a 33 year old woman's life prior to serving a 7 year prison sentence for killing her own 66 year old father. He sexually abused her from she was 6 - 17 years old. He also abused her sister who became a drug addict and died of an overdose at the age of 38. The film brings us back to her childhood and describes how sexual abuse can go on for years without anyone is reacting to it. "My beloved child" deals with issues like physical, emotional and sexual abuse, domestic problems, suicide, drug issues, societies responsibility, individual responsibility, post effects/late consequences of childhood traumas. The films is primarily made - and edited - for children and youths, in order for them to understand and put words to abuse.
7.1Digging through the vast collection of his father's home videos, a young man reconstructs the unthinkable story of his boyhood and exposes vile abuse passed through generations.
A young artist, born as Nicole, but renamed Nova, sets out on a healing journey on an indigenous Taino sanctuary in upstate New York. Accompanied by the Wild Darlings, a black + queer, healing arts collective, she transmutes the trauma of her past by performing in white-face as the male teacher that sexually abused her as a child.
6.6Jan Broberg and her family tell the unbelievable story of how she survived two kidnappings and years of childhood sexual abuse by a family friend.
4.58-year-old Aaron Averhart was just a year shy of being able to move up from Cub Scout to Boy Scout when he received a special request from an admired Boy Scout leader, William (Bill) Sheehan. As Aaron rose up the Boy Scout ranks, he slowly became aware of Sheehan’s grooming techniques and began to realize he had much more sinister intentions in store for him. If Aaron’s parents had known that since the 1920s the Boy Scouts of America had been keeping hidden files on dangerous pedophiles in their ranks while failing to warn the public, the police, the scouts, their parents, or even fully removing them from the Boy Scouts program, they would have never allowed young Aaron to be part of such a complicit and corrupt organization.
7.0An intimate portrait of a family coming to terms with decades of institutional abuse and the impact it has had and is still having on their lives.
6.2A Hollywood movie executive and his wife, a one-time beauty queen, were brutally slain in the den of their Spanish-style mansion. The special uncovers the hidden clues of the Menendez family's descent into hell including never-before-seen home movies and photos from the family vault and testimony from members of the Menendez inner circle. The brothers' best friends and neighbors, the lead detectives, lawyers and jurors from the case, and the family members profile the intimate details of the Menendez family, including Erik's secret life.
6.6In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.