

Experimental short film of colors and lights. Silence.

Experimental short film of colors and lights. Silence.
2024-10-12
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7.5A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
0.0A brief and experimental ode to the humble dandelion, shot on 16mm developed using an eco-processor made of dandelions.
0.0Through thread and textile, an Asian seamstress tries to escape from the factory.
0.0A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
0.0Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
0.0A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the “speed” of water (and the sea) and also for a more fluid kind of editing.
0.0The basis of the experimental film Sky Spirits are real-life shots of fireworks. The authors of the film have collected these shots from the year 2001. to 2008. The experiment explores the ultimate limits of fireworks as sources of light, showing this through real-life dynamic light patters which are led through video processors, resulting in chromatically rich animated samples. The material is "laboratory" processed and then formed into a film unit, while respecting the dramaturgy of fireworks. The original sound was used, which was, of course, subsequently processed, too. The whole work process is a kind of "homage to the tape" because the entire work is completely recorded and realised on digital video tapes, without using any kind of computer program.
0.0The idea of JAM was conceived while I was attending the Ottawa International Animation Festival in 2008.After returning to Japan, I soon began making the film and completed it in four months.This film is based on a very simple idea: the increasingly varied the sounds, the greater is the number of creatures. I wanted to rid myself of the frustrating experience of making Devour Dinner, which was highly unsatisfactory from the viewpoint of the movement in the film. My intention in this film was to fill the screen with chaotic movements.
Experimental short shot on reel to reel video tape and preserved by the Academy Film Archive in 2008.
0.0The walls of video rental shops in Japan are lined with hundreds upon hundreds of animation DVDs, but experimental and art animation on DVD are rare. To remedy this situation, Image Forum put together this showcase of the work of contemporary avant-garde animators trained in Kyoto and Tokyo.
10.0A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
8.0The uncomfortable feeling caused by the loss of identity experienced by provincial youngsters who move to Bangkok. Depression might result from growing up in the provinces in the middle of Bangkok, which is a different atmosphere. feeling unrecognizable and eventually losing your identity and thoughts without realizing it.
5.0Three cities by night become one in this nocturnal journey through images and sounds in which space, color and light pass through the eye of the camera to create thoughts visualized before their conception. Filmed in San Francisco, New York, and Rotterdam.
0.0Automatic-writing on film, using double exposures, macro imagery, dissolves, and in-camera editing to create a dream collage of Los Angeles, from the perspective of a plane and an arachnid dancing between water and sun.
0.0A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?