herself
(voice) herself
(voice) herself
2024-08-08
0
The Moșilor Fair is an exercise by a student director who used his film before he had managed to finalize the originally planned movie. The result is a fascinating experimental montage, without music or sound of any kind, showing details of a legendary fair in the capital.
Two young women try to adapt to a new city: nostalgia, loneliness, friendship and family are mixed throughout the emotional process of both characters. A reflection on the sense of belonging and the experience of being a foreigner.
Have you ever been in a fight? Even thrown a punch? Because Andrew never has. His mom raised him as a pacifist, and she would like to keep it that way. But deep down, Andrew has a question: how much can he know about himself if he’s never been punched in the face? More importantly: how much can he know about his mom, the woman that has sacrificed so much for him, if he’s never fought for anything?
Feeling disgruntled, a group of punks start a litter picking group to counter the amount of litter their community faces.
The daily life of the volunteers of the Compañeros de Batalla foundation, dedicated to providing support and hope to the children fighting cancer at the Pediatric Specialties Hospital in Maracaibo.
A short documentary about the production of movie marquee art for cinemas in Prague.
Africa, a trans woman dedicated to musical representation and comic entertainment on Facebook exhibits her daily life through live broadcasts, having success and a large influx of viewers. This while she is getting ready for her special program in honor of her best friend Vicenta de Loris, since a year has passed since her life was taken from her.
Denise, Hannah and Leticia are three ordinary women with extraordinary stories to tell. As transgender people, they talk about the challenges of finding their true identities within an intolerant and prejudiced society.
A short documentary about a female truck driver in the United Kingdom.
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
Director Juan José Arias uses old family videos to try to find out what kind of person his father was. His image comes back in dreams, his voice whispers in the smell of rain and his embrace lies in an old house in the country where they used to spent the holidays. Reality, memories and dreams blur together in a poetic way.
A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.
When Loo Lay Yen suffers a stroke, the lives of her husband and three boys are changed forever. Shot by her eldest son, Tai Binquan, the film features family albums alongside raw documentary footage. where are you now is both a loving tribute to Loo and a piercing inquiry into care, dignity and the ethics of representing end-of-life experiences.
A short documentary on how people view art and its value in today's society.
Gabriel Lynch is an Australian singer-songwriter who has been in the industry since 2006. Gabriel reflects on his career including how he started, and the difficulties facing emerging artists in the modern age.
Her first foray into documentary filmmaking was a short called Green Street (1959), a look at an over-loaded freight train departing from Prague. Though only nine minutes in length, Chytilová’s astute editing ensured a visual spectacle.
The past drags itself into the present day, taking us back to the era of the Dominican Republic's greatest dictator, while we explore the traces of Nazism in the corners of the island. This short documentary borders on a dark and little-known aspect of Dominican history, taking the viewer on a subversive journey through time and memory.