The Week Starts on Friday

ELFilm(cs)

A minimalist portrait of ultimate love.

Coronavirus(en)

Struggling with fear, tension, and anxiety amid the early stages of the COVID-19 pandemic, a high school student reflects upon what really matters.

The Tiger's Cub(bn)

A story of Shyamal: a runaway, a pickpocket & a tiger's cub.

Ženy v uniformě(cs)

Wallflowers in the Parade(en)

With the banning of the religion in 1972, male Jehovah's Witnesses are made to spend their National Service in the detention barracks for two and a half years or longer. This documentary follows the lives of three male Jehovahs Witnesses and their lives in Singapore as well as the first Witness who was imprisoned in 1972.

A Culpa é do Sol(pt)

Bugman(en)

A misunderstood and isolated transgender teenager takes revenge upon his unaccepting parents. A powerful supernatural entity known as the Bug God contacts him to help him do the deed. A mysterious organization produces a largely fictitious made-for-TV docudrama on the subject.

Wise Guys 2(en)

After the release of his debut film, documentarian Richard Chase journeys down a rabbit hole to uncover the lost second episode of his initial film's subject: Wise Guys.

A Box of Film(cs)

A film about filmmaking.

Good Living(en)

On the edge of the idyllic Lake Windemere, Richard runs a café. After a long past in the forces, he has had a dramatic shift in lifestyle, and has had to adjust to an immensely different environment. Shot in Ambleside in 2022, Good Living is an exploration of new paths and opportunities.

memory file 01(en)

Vianočný dar(sk)

When I Grow Up(cs)

Author and her crew go on a field trip to a kindergarten to ask the children what they would like to do when they grow up. The children have very clear ideas about their future, which the director visualises with the ease and artistic shorthand typical of children's drawings.

Deník babičky Němcové(cs)

Motocyklení(cs)

Věci(cs)

A-Okay(en)

Sex. Something that is part of human nature. Everyone does it and strives to have their happily ever after… Right? In a society where intimacy and romance are constantly everywhere, someone breaks from the mould after years of self-discovery. They send a letter to their past self full of their experiences and lessons learned, in the form of a short documentary. A-Okay brings attention to the hyper-sexualized and romanticized society we live in and how it’s expectations, stigmas, and stereotypes can be harmful to individuals on the aromantic and asexual spectrums.

Taurophilia(xx)

Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.

Village B.(cs)

This documentary about the people of Blšany is seen through the eyes of Mr. Tříska, the local one-room school principal and an amateur filmmaker, creator of a movie about “the smallest community in the world with a first league soccer team.” He guides us through an eerie village marked by Communism, a hamlet awakened from its lethargy once every two weeks by a first league soccer match. “Meetings were also held in the country,” claims Tříska, “but executions and trials took place in town. A person had to be careful in the country if he didn’t want to be denounced, but when he went to the doctor he knew he wouldn’t pay for prescriptions; and the bus cost a crown fifty, not ten like today.”

Memoria en Resistencia(en)

Set during the 30th LGBTTTIQ+ Pride March in Tijuana, this short documentary presents a queer archivist whose career as a journalist has documented key moments in the region’s queer history, alongside an activist who uses drag performance and outspoken advocacy to challenge the stigma surrounding people living with HIV. Through archival imagery and alternative spaces like Enclave Caracol, located in the city’s historic downtown, the film reflects on memory, erasure, and the urgent need to tell our own stories.