

This documentary offers an overview of French scientific research in Africa French scientific research in Africa: hydrology, botany, biology oil palm and coconut cultivation, industrial sea fishing and and urban planning. Film montage taking stock of scientific research research in Africa, mainly in the fields of hydrology hydrology, botany, biology and agriculture. The film is a compilation of extracts from several short films made by Jean Rouch in Mali, Niger and Côte d'Ivoire between 1962 and 1963: Abidjan, port de pêche, Le Mil, Le Cocotier and Le Palmier à l'huile. l'huile.

This documentary offers an overview of French scientific research in Africa French scientific research in Africa: hydrology, botany, biology oil palm and coconut cultivation, industrial sea fishing and and urban planning. Film montage taking stock of scientific research research in Africa, mainly in the fields of hydrology hydrology, botany, biology and agriculture. The film is a compilation of extracts from several short films made by Jean Rouch in Mali, Niger and Côte d'Ivoire between 1962 and 1963: Abidjan, port de pêche, Le Mil, Le Cocotier and Le Palmier à l'huile. l'huile.
1964-01-01
0
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
0.0In 2014, 276 teenage girls came together for exams in Chibok, Nigeria -- by dawn, nearly all had disappeared and their school was burnt. Jessica, an escapee, shares her haunting account of a friendship violently interrupted by Boko Haram.
In common with many L.A. Rebellion films, Snake touches on such themes as institutionalized racism, colonialism and the plight of women of color. Narrated in the first person by the filmmaker as an epistle to her son, The Snake in My Bed tells Diegu's story as a Nigerian woman in Lagos who is romantically pursed by a German national who has “gone native.” Despite his secretive and duplicitous actions, she eventually agrees to marry him and has his child, only to learn that he is a bigamist with a German wife and child.
8.0How’s the Big Everything? Garba asks Nicole. For them, the “Big Everything” encompasses family, politics, History, daily life, the stars, small things, and time passing like the wind. By delving into their memories, at the time of Niger’s independence, we come face to face with the complexity of the present.
7.1Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
0.0A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".
0.0Lightning struck the hut of a Fulani shepherd near a village of settled fishermen, Ganghel, in Niger. A yenendi, a purification ceremony to obtain "water from the sky but not fire from the sky", is organized, with Sorko priests, ritual musicians and dancers, and the faithful from Niamey. The musicians call on Dongo, god of storms, and his brother Kirey, god of lightning. To the rhythm of the orchestra, a man goes into a trance, becoming Dongo's horse and at the same time the riding genie. Then a woman is possessed by Kirey. When the riding gods have mastered their horses, the gods visit the men. Dongo purifies the lightning-struck land and the oldest fisherman prepares the purification vessel, addressing Dongo.
0.0A portrait of Zomo, the second of Damouré Zika’s many children. Employed at the zoo of the National Museum of Niger in Niamey, he offers us a tour, showing us the animals he takes care of. Then, when the work is finished, he invites us to an impromptu concert by “Jeunesse Gawey,” the “popular music” orchestra he forms with his brothers and sisters, who sing and dance for us pretty songs about their lives, their family, and Nigerien youth.
6.1Nigeria's film industry, Nollywood, is the third-largest in the world--an unstoppable economic and cultural force that has taken the continent by storm and is now bursting beyond the borders of Africa. "Nollywood Babylon" is a feature documentary detailing the industry's phenomenal success. Propelled by a booming 1970s soundtrack of African underground music, the movie presents an electric vision of a modern African metropolis and a revealing look at the powerhouse that is Nigerian cinema.
6.0'Insecure' star Yvonne Orji celebrates her Nigerian-American upbringing in her debut HBO comedy special, which intersperses her stand-up with documentary footage of a trip to Nigeria.
0.0Commemorative celebrations of the independence of the Republic of Niger filmed in December 1961 and 1962.
10.0A huge influence on world music, Nigerian artist Fela Kuti played many instruments, pioneered afrobeat music and served as a prominent activist for human rights in Africa. This 1984 documentary examines the life and music of the remarkable man. Using his music to raise awareness, Kuti embraced social justice themes. He died in 1997 of complications from AIDS. Footage from his legendary show in Glastonbury, England, is included.
A 1978 documentary about healthcare services in five locations in Nigeria.
10.0In Nigeria, to be a twin can be a blessing or a curse. The father of O is the village chief, a witch doctor who believes in the curse of twins. One day, this witch doctor tried to kill his two sons during a ritual ceremony: O managed to escape but saw his brother being murdered. Having fled across his country, he succeeded, by chance, in leaving Nigeria and going into exile in France.
8.5The French researcher Bertrand Monnet visits pirates in Nigeria and Somalia to learn how they make money from oil theft and kidnapping.
0.0A poetic tribute to writer, poet and environmental activist, Ken Saro-Wiwa, who was executed alongside eight other activists for opposing the environmental damage done in their oil-rich homeland, Ogoni.
0.0For decades, the countries of the African Sahel region have been targets of colonialism and exploitation by France and other Western powers. This documentary addresses the popular resistance and new paths of development forged by Burkina Faso, Niger, and Mali after experiencing civil and military uprisings in recent years. The film explores the popular resistance that sustains the revolution in the three Sahel countries and was made after extensive coverage of the ongoing social dynamics and geopolitical disputes.
0.0Niger is one of the poorest countries in the world and is also plagued by numerous terrorist organizations that repeatedly kidnap people. Accompanied by a military convoy, the travel group explores the country and the cultural traditions of two of the last nomadic tribes, the Woodabe and the Tuareg. From the capital Niamey in the southwest, the journey continues through the interior of the country to Iférouane, where the Nigerien tour guide provides information about the country and its people.
Documentary produced by Unilever about of the operations of its subsidiary. The United Africa Company (Timber) Limited, and associated companies,
0.0January 15, 1970: Untold Memories of the Nigeria-Biafra War is a documentary that tells the story of the Nigeria-Biafra war and its end on January 15, 1970. The documentary was produced by the Center For Memories (CFM) in 2020. It features personal accounts from victims of the war, who shared their experiences to help with healing and reconciliation. The Nigeria-Biafra war, also known as the Nigerian Civil War, was fought between Nigeria and the Republic of Biafra from 1967 to 1970. The war was one of the first to be televised globally, and images of starving Biafran children were shown in the mass media of Western countries. The war highlighted challenges in pan-Africanism and the Organization of African Unity.