How do you cover a war in your own country? We spent two years with journalists from Ukraine's public broadcaster and saw how Russia's invasion transformed their profession and changed their beliefs. Broadcast on 5/4/2024
How do you cover a war in your own country? We spent two years with journalists from Ukraine's public broadcaster and saw how Russia's invasion transformed their profession and changed their beliefs. Broadcast on 5/4/2024
2024-05-04
0
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Checkpoint Zoo documents a daring rescue led by a heroic team of zookeepers and volunteers, who risked their lives to save thousands of animals trapped in a zoo behind enemy lines in the Russian Invasion of Ukraine.
More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.
Dobropolye is a town located in Eastern Ukraine: 70 km from the border where conflicts with the breakaway republics are raging on and people feel always like being on the verge of total war. The sheer uncertainty about the future pushes folks to cling on to their daily habits while trying to get along with the ever-shifting political landscape. A wide array of wildly diversified characters try to cope as good as they can with the hardships in their town. A death metal band keeps rehearsing daily. A teacher guides visitors through the story of the city. The wonders of a vibrating armchair are tested as a tool against stress and anxiety. An elderly lady who has lost her son tries to talk some sense into her fellow citizens urging them to accept peace.
Dmytro Komarov's documentary project The Year. Kharkiv Region. Dmytro Komarov will show Kharkiv in the first months of the full-scale invasion of Ukraine by Russian troops. Viewers will hear the stories of people who found themselves in the epicentre of the brutal attacks: at the air defence base destroyed by a Russian missile, in the residential area of the city - Northern Saltivka - which was ravaged by shelling. The journalist will talk to those who played a key role in the liberation of the Kharkiv region. One of these people is Roman Hryshchuk, the commander of the 127th separate territorial defence brigade of Ukraine. He told us how the military practice of the past - using decoys in the form of dummies - helped to identify and destroy the occupiers. How did the full-scale war begin for Kharkiv? What plans did the enemy have for Kharkiv? What united people and gave them hope in the most difficult times? Find out in the documentary project "Year. Kharkiv Region".
As filmmaker Maria Carolina Telles comes to terms with the death of her father, a man who regretted never making it to the frontlines of World War II, she focuses her lens on the life of another man who had his own unique experience as a civilian in the midst of combat: award-winning war photographer André Liohn.
Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.
The story of the last months of the 20-year war in Afghanistan through the intimate relationship between American Green Berets and the Afghan officers they trained.
There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."
In 1997, Osama bin Laden declared war on the USA and Pulitzer Prize winning CNN correspondent Peter Arnett embarked on a mission to locate and interview him. A War Story follows the dramatic events leading up to the interview and the Kiwi journalist's horror on 9/11, as he recalled bin Laden's veiled threats.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.
On February 24th, 2022, Russia launched a full-scale invasion of Ukraine. The war has since killed thousands, displaced millions and destroyed entire cities. Despite international appeals for Volodymyr Zelensky, and his family, to be evacuated to a safe location during the opening days of the invasion, the 44-year-old president stayed in Kyiv with his defence forces. It's hard to imagine how this bright, comedic, family man, has ended up in one of the most dangerous positions in the world, with a giant target on his back. 10 months on, and still fighting from the ground, Zelensky has been named TIME Person of the Year 2022. With comparisons to Winston Churchill, as a war time leader, his impact is undeniable. Utilising his acting skills he is embodying everything it means to have the spirit of Ukraine.
Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.
In 2008, Natasha, a newly rich woman, decides to open an independent TV station in Russia and builds an open-minded team of outcasts. By 2020, Natasha has lost everything to Russia's war between Propaganda and Truth.