Helena: Dom de Educar(2023)

No Meio de Campo(pt)

Santa Rita de Sampa(pt)

Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.

Joao Gomes: The Pitbull(en)

‘Joao Gomes: The Pitbull’ covers start of the midfielder’s second year in England as he experienced becoming a father for the first time and a full Brazil international within a matter of weeks.

Craiova Versus Craiova(ro)

Music for now!(pt)

The film is about the vinyl record culture and presents a panel of stories, searches, collecting, in various locations in Rio de Janeiro.

Piracema - uma carta de amor ao teatro(pt)

Baixada Bow Arqueria: uma história do tiro com arco em Nova Iguaçu(pt)

O Futuro da Memória: 60 anos do Instituto Histórico Geográfico de Nova Iguaçu(pt)

O Imperfeccionista(pt)

Fragmentos(pt)

Women at the stake(pt)

"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.

Domingo de Chuva(pt)

It portrays a Sunday in a typically Brazilian home, where food serves as a link to family ties, guided by conversations of all kinds, ranging from memories to gossip.

L'età Sperimentale(it)

Almas Silenciosas(pt)

Alto das Flores(pt)

Laços(pt)

O Carnaval é de Pelé(pt)

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

Mãos de Pedra(pt)

Little Sisters(en)

In Lisbon’s residence of The Little Sisters of the Poor Congregation, a group of 7 nuns takes care of 75 elderly people, helping them in their final years.

EVERYTHING MUST GO(en)

In a city consumed by gentrification, artist João Fiadeiro and the company he keeps postpone and embrace the end at the house they inhabited for the last decades. By vacating, they occupy; by disbanding, they stay together; by celebrating, they reclaim a 30-year-old project from disaffected national politics. What remains when everything must go? How does one keep on?