

Explores the concept of texture in our environment and how it is perceived through our senses, particularly touch and sight. The film describes texture as the surface quality of objects, which can range from smooth to rough, shiny to bumpy, or any variation in between. It emphasizes that every surface, including the Earth and living things on it, has its own unique texture.

Explores the concept of texture in our environment and how it is perceived through our senses, particularly touch and sight. The film describes texture as the surface quality of objects, which can range from smooth to rough, shiny to bumpy, or any variation in between. It emphasizes that every surface, including the Earth and living things on it, has its own unique texture.
1961-01-01
10
10.0A day in the life of a college student struggling to find a sense of purpose.
9.9Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
7.3After completing his prison sentence for killing a rival gang leader in self-defence, Benny Horowitz decides to go straight.
1.0A young couple try to fix their marriage troubles with the help of a psychiatrist.
5.7He's back! One of Britain's best loved comedians, the multi award-winning British-Iranian, Omid Djalili takes on the world in a brand new sensational stand up show. Undertaking a huge sell-out tour across the UK, 'Live in London' captures Omid at his very best, recorded live at the celebrated home of comedy - the Hammersmith Apollo.
7.0Documentary story about the career of Krzysztof Krawczyk, one of the most popular pop music performers on the Polish scene. The artist has many hits to his credit. The film uses unique archival footage.
3.0This is a film that deals with gay relationships within the community of people of color. Characters that can't be boxed, dealing with everyday issues about love and loss.
8.8Liran and Tali, a couple in their thirties who dream of having a child together, are one day told that they will have to undergo fertility treatments. What seems simple at first turns out to be very complex.
8.5In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
7.0Prequel of the film Nobody, 浪浪山的小妖怪, introducing us to the pig as one of the main characters!
6.3Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
8.5For the first time in history you'll be able to see the last unfinished film from one of the greatest car-chase filmmaker's (Halicki) that ever lived, who loved to chase, wreck and destroy anything on four wheels. He bought over 400 cars to devour. It's one of the most amazing car crash chases ever filmed! Halicki reprises his role as the legendary car booster... on the run from some killers and the police he boost a Semi Tractor-Trailer... the chase destroys half the city... the other half is destroyed by the 'Slicer' (a custom built wedge car). The car is unstoppable - it can flip any truck or car in it's speeding path! You'll see why they nick named Halicki "The Car-Crash-King." You won't believe your eyes - you'll watch it again and again... the action never stops!
4.3The movie centers on drummer Artimus Pyle's experience as a band member in Lynyrd Skynyrd and the tragically fateful day their rented plane crashed in the swamps of Gillsburg, MS on October 20th, 1977 and took the lives of singer Ronnie Van Zant, guitarist Steve Gaines, his sister backup singer Cassie Gaines, road manager Dean Kilpatrick, and the two pilots. This movie focuses on the hours leading up to the event, the day of, and the aftermath.
2.2Carl, a low-end hustler and pimp, uses his girlfriend to start his own prostitution ring. Trouble begins when Carl recruits Sherrie, a local waitress who likes sex. A cheesy narrator relates this morality tale.
8.2A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.
0.0A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.
6.7Above all, an experiment. Two identical films mirror each other. The only thing that differentiates between them is colour and sound, which is simply reversed. Through the use of just colour and sound, each part invokes unique sensations in the viewer. Not a single identifiable object features. Instead, the films focus on repetition, texture, movement and light.
0.0Pinpin, a small tinkerer made of found objects, and Matilda, an origami yellow-billed magpie, reside in a backyard full of abandoned items. One day, an alluring bottle cap flips over the fence and into their yard. The tenacious tinkerer and the mischievous magpie both decide they must have it for themselves, initiating a rivalry where they test their limits for the treasure they have desperately searched for.
6.0It took seven days to create the world, it only took one to disrupt its balance.
7.0A meditation on isolation through paint textures, video collage and sound
0.0Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
0.0Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.
6.0A documentary about a convent of Russian Orthodox nuns in Estonia who have dedicated their lives to serving God.
0.0A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.
7.1Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.
5.0The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
7.8Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
0.0This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
Two Meetings and a Funeral explores Bangladesh’s historical pivot from the socialism of the 1973 Non-Aligned Movement (NAM) meeting in Algeria to its ideological counterpoint, the emergence of a strong Islamic perspective at the 1974 Organisation of Islamic Countries (OIC) meeting in Lahore. Centred on Bangladesh’s navigation of these two historic meetings, as well as its fight for United Nations recognition (vetoed by China, acting as a proxy for Pakistan), the film considers the erosion of the idea of the Third World as a potential space for decolonialism, liberation theology and socialism. In particular, it looks at how a transnational Islamic ‘ummah’ concept was used against socialist forces.
0.0A two-channel installation utilizing both digital video and 16mm film, Commensal focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona.