Um Minuto e Meio de Folhas em um Escâner

La Paloma(en)

Music by Austin Cesear, 16mm film by Paul Clipson.

Don't Die: The Man Who Wants to Live Forever(en)

In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.

Ground Control(de)

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

Yo, Diablo(en)

Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.

Between You and You All(fr)

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

Keratin(en)

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

Fish Eye(xx)

The story of a lonely man who accidentally discovers an old camera and uses it to capture pictures of his life.

Jo(en)

Jo; or The Act of Riding a Bike is Zefier's third film.

The Psychedelic Experience(en)

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

Nadveren(da)

Une brèche écarlate(fr)

Through thread and textile, an Asian seamstress tries to escape from the factory.

A Sense of Nothing(xx)

A film motivated by nothing (but daily life and (my) vision). It represents nothing, it signifies nothing. There’s no hidden meaning, no defined subject, no predetermined objective. Inside and outside. Just angles, textures and flashes of color. A whole different empire of vision, impossible to be put into words. “Nothing” as anything outside common visual knowledge, anything that defies the logic of naming the world; a possibility for a new way of thinking; of dealing with our visual world.

Red, Blue and Purple(en)

A man's mind jumps back and forth between increasingly extreme versions of the individual and the collective.

May 15th in Paris(fr)

Shots of Paris on May 15, 2016 with a Parisian narrator telling us the story of May 15, 1848, when protesters finally pushed the establishment to let them have a popular vote to elect their ruler.

Fox & Penguin(de)

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.

CANVAS(es)

Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.

From a distant time.(en)

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

Revelation To The Disembodied(en)

Fragments of a collective post-human dream construct a world that straddles hyper-technological, ecological, and mythological dimensions.

37/78: Tree Again(de)

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.