
George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.


George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.
2011-09-16
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8.0Bees are one of the most important species on the planet. A look at the trials and tribulations of two particular honeybees over two years from birth to death.
0.0Joyce Jonathan Crone—Mohawk matriarch, retired teacher, activist, humanitarian—reaches forward into her community of Huntsville, Ontario, opening hearts and bridging gaps for Indigenous education.
0.0HOMME-RELAIS spotlights Juan Manuel, a doctor turned community leader who, amid migration grief and integration challenges, guides immigrant men through a life-changing program: forging resilience, belonging, solidarity, and hope.
0.0Follow Ruby Chopstix, Canada’s first drag artist-in-residence, as they navigate the complexity of being an underrepresented drag performer while creating a special showcase to create space for other queer BIPOC performers.
0.0However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?
6.9In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.
6.4The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
10.0From the slow waitings for opening of the big top to the loneliness in the dressing room backstage, Abuhadba follows the life of a small circus in Chile run entirely by a traditional circus family.
0.0JaBig, a Montreal-based DJ, is on a quest to beat the record for the longest continuous bike ride in a single country. Join him on the last day of his ride to discover what happens when you stop listening to all the reasons why you shouldn’t, and listen to the voice inside you, telling you to go.
6.5To celebrate the release of a new movie for their 20th anniversary, this documentary offers some behind-the-scenes footages.
0.0This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.
8.0Return to Oz for a fantastic behind-the-scenes journey with this expansive look inside the characters, choreography, and creativity that make up the movie's unforgettable world.
5.3In this new program, director Joachim Trier, actors Renate Reinsve, Anders Danielsen Lie, and Herbert Nordrum, screenwriter Eskil Vogt, and sound designer Gisle Tveito discuss their passion for cinema and the conception and production of The Worst Person in the World. The interviews were shot in New York and Oslo in 2022. In English, not subtitled. (51 min). Part of the Criterion Collection home video release for THE WORST PERSON IN THE WORLD.
5.9HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
4.0Comedic behind-the-scenes film for the production of Mary and Max, originally released as webisodes.
7.2A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.
6.0The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.
0.0An examination of the 60's trend of top-of-skyscraper revolving restaurants. First an overview of Europe's best then it's a detailed look at the problems involved in running the restaurant at the top of London's Post Office Tower.
5.2Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie Mon Ami, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims.