Becoming Ruby(2025)

The Clinic(en)

Amidst a devastating opioid epidemic, a needle exchange and free clinic operates in the shadows of Fresno, California.

Gente de mesón(es)

Queercore: How to Punk a Revolution(en)

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

Abu(en)

As a gay man, filmmaker Arshad Khan examines his troubled relationship with his devout, Muslim father Abu. Using family archives and movies, Khan explores his struggle with his identity and compares it to his parents attempts to fit into Canada.

Camel Toe(pt)

Bruno, a 26 year old man starts to enter the Drag culture in Oporto in 2015. Initially he's rejected multiple times in various show rooms for being "way too gay". After two years the name Camel Toe is now famous because of his excentric personality wich gives him a voice when it comes to the defence of all kinds of artistic expression and in the fight against prejudice. Camel Toe comes to chock, through his irreverence, the city of Oporto and to tell us the story of his life as a metaphore for the revenge of an whole comunity in the contemporary days.

LGBTs no regime militar(pt)

In 1980, the first march of gays, lesbians and transvestites took place in Brazil in protest against the constant police operations that took place in São Paulo, which aimed to repress these groups. Based on Renan Quinalha's doctoral thesis, “Against morality and good customs: the sexual politics of the Brazilian dictatorship (1964-1988)”, carried out by the Institute of International Relations, a series of four 5 minute videos about the birth of the LGBT movement during the Military Regime.

Postmodernism: The Substance of Style(en)

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

How Do You Measure a Year?(en)

For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and sometimes awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.

Paris Is Voguing(en)

Born in Harlem between the '70s and' 80s, Voguing is a dance inspired by the models that appeared on Vogue magazine. At the time of its birth, young homosexuals, transgender and drag queen were Afro-American and Latino and they would confront themselves in improvised parades, to which Madonna and other popular singer-songwriters would later refer to. In the Paris of the years 2000s, Lasseindra Ninja is one of the most popular dancers, having learned in her youth all the tricks from the historic New York House of Ninja crew. Together with Stéphane Mizrahi the two initiate a new generation of drag queen and Parisian trans into Voguing.

Silence(pl)

A portrait of a family living in a village in Masuria.

Richard Fontaine's Days of Greek Gods(en)

Richard Fontaine and Bob Mizer started the current exploration of the male nude in film and photography. The two shared ideas props and models and reinvented some of the sexual icons that we all still recognise today. The gladiator the sailor, the cowboy… Starting with posing-straps and graduating to nudes their "art studies" enlisted the talents of up-and-coming actors and bodybuilders. This film recalls that era.

A Slice of Lynch(en)

David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.

Romeo & Julius(da)

A young group of actors are preparing an updated version of Shakespeare's ROMEO & JULIET. Two boys perform the central roles - both of them struggling with their own questions of love alongside their roles on stage. And as rehearsals begin, reality soon starts to interfere with the play.

Expiration(fr)

In the midst of the Covid-19 pandemic, Steeve Day has been suffering from ALS for eight years and decides to call for assistance in dying. At the same time, however, visits to hospitals are suspended. Steeve then rents a hotel room in which to spend his last days and receive his loved ones.

Lamp(en)

Short documentary of David Lynch building a lamp.

Legendary(en)

An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.

Chiefs(en)

Filmed at the October 1968 meeting in Hawaii of several hundred police chiefs of the International Association of Chiefs of Police as they watch demonstrations of gruesome anti-riot weapons, sing patriotic songs, and defend their policies in front of the camera. Although filmed with the permission of the chiefs, the view is unsympathetic, sometimes funny, and more often frightening.

Making Mary and Max(en)

Comedic behind-the-scenes film for the production of Mary and Max, originally released as webisodes.

Stop for Bud(da)

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

The Man Who Saved LKY(en)

If not for him, the history of Singapore would have turned out quite different. He was a rickshaw puller.