A League of Her Own(2022)

Cut(en)

A peculiar homage to the things that go wrong, this film is purportedly about rugby. The self-explanatory title for this jumpy “documentary” is less concerned with the filmed subject (the game, the field, the players) than a comic editing style and the complete acknowledgement given to the technical aspect of gathering and manipulating raw footage.

Fighters(en)

Meet Matt Edwards, a lower-limb amputee boxer determined to break barriers and obtain his amateur boxing license—the crucial first step toward his dream of becoming a professional fighter. But the real fight isn’t just in the ring; it’s against a system that continues to put up obstacles, reflecting the everyday struggles disabled people face simply to be included in society.

Murderball(en)

Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.

Bontok, Rapeless(tl)

Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.

Tackling the All Blacks(en)

Before the summer of 2022, Ireland had never beaten the All Blacks in New Zealand. Using behind the scenes footage and interviews with players and coaches this documentary reflects on the experience of triumphing in New Zealand for the first time.

Haka Nation(fr)

Being Barbarians(en)

An insider documentary following Scott Robertson and Ronan O’Gara’s management of the invitational Rugby Union Club; Barbarian F.C. for the 2022 Killik Cup tie versus the All Blacks' "Second XV" at the Tottenham Hotspur Stadium.

I Am Somebody(en)

Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.

Right to Work March(en)

They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.

Women Should Vote: A short history of how women won the franchise in Ontario(en)

The documentary follows the activism of prominent suffragists such as Emily Stowe, as they struggled for an equal say in their own future. These women formed associations, petitioned the Ontario Legislature, wrote essays, and held satirical events to achieve their goals of equal rights for women. It is a celebration of the 100th anniversary of women’s suffrage in Ontario.

The 16th Man(en)

Rugby Union has long been viewed in South Africa as a game for the white population, and the country’s success in the sport has been a true source of Afrikaner pride. When the 50-year-old policies and entrenched injustices of apartheid were finally overthrown in 1994, Nelson Mandela’s new government began rebuilding a nation badly in need of racial unity. So the world was watching when South Africa played host to the 1995 Rugby World Cup. Though they had only one non-white player, the South African Springboks gained supporters of all colors as they made an improbable run into the final match where they beat the heavily favored New Zealand team. When Mandela himself marched to the center of the pitch cloaked in a Springbok jersey and shook hands with the captain of the South African team, two nations became one. Oscar winner Morgan Freeman and director Cliff Bestall will tell the emotional story of that cornerstone moment and what it meant to South Africa’s healing process.

9to5: The Story of a Movement(en)

In the early 1970s, a group of secretaries in Boston decided that they had suffered in silence long enough. They started fighting back, creating a movement to force changes in their workplaces. This movement became national, and is a largely forgotten story of U.S. twentieth century history. It encapsulates a unique intersection of the women’s movement with the labor movement. The awareness these secretaries brought to bear on women’s work reverberates even today. Clericals were the low-wage workers of their era. America now confronts the growing reality of deep income inequality. The stories and strategies of these bold, creative women resonates in contemporary America.

AccepTance(en)

An experimental documentary looking at the transgender experience around the world over two hemispheres, three continents and with four interviewees. The film employs limited B roll shots or edits during the interviews, instead opting to have the interviews mostly uncut, with the goal of creating both a level of sincerity and a conversational narrative between any one of the interviewees and the audience.

Equal Means Equal(en)

An unflinching look at how women are treated in the USA today examining issues such as workplace harassment, domestic violence, rape and sexual assault. It shows how discriminatory attitudes still prevail and influence society and argues for the need to improve laws that claim to protect women.

The Andes Tragedy: 50 Years Later(en)

In 1972, a plane carrying an Uruguayan rugby team disappeared into the Argentinean Andes. Now, 50 years after one of the greatest ordeals of survival in recorded human history, the full story is finally comprehensively told through the words of each of those who lived it.

Building Jerusalem(en)

After six weeks of gruelling competition, England battle reigning champions Australia. The two teams are inseparable after eighty minutes. Deep into extra time, there are just two minutes left on the clock. England rumble to within 40 yards of the posts. The ball is sent spiralling back to Jonny Wilkinson, the golden boy of English rugby, in a split second he drop kicks for goal and a chance for sporting immortality. It is an astonishing story of pressure, expectation and courage, tracing the roots of success back to the professionalization of the game in the 90s and culminating in that glorious World Cup campaign of 2003 that turned Woodward’s poisoned chalice into a golden cup.

The Red Pill(en)

When a feminist filmmaker sets out to document the mysterious and polarizing world of the Men’s Rights Movement, she begins to question her own beliefs. Chronicling Cassie Jaye’s journey exploring an alternate perspective on gender equality, power and privilege.

Chasing Great(en)

Chasing Great is an insightful portrayal that weaves Richie McCaw's life story into his final season as an All Black, revealing the determination and mental toughness of an international sporting legend who still sees himself as an 'ordinary guy' from small town New Zealand.

The Gauls(fr)

Two segments make up this short film. The first portion called “The French” has two men taste testing some delicious wine, and the other, titled “The Gauls”, is of men playing rugby. This short by Werner Herzog is part of the “The French as Seen By…” series. It was initiated and sponsored by the newspaper Le Figaro, as part of the 1988 celebration of the tenth anniversary of its magazine section.

Same Sex America(en)

In the spring of 2004, Massachusetts began the final battle of its journey towards legalizing same-sex marriage. This documentary follows a few local couples & their families through the months leading up to & shortly after that defining occasion in LGBTQ+ history, culminating in their respective weddings. Also includes interviews with active opponents attempting to discourage the movement (& failing, of course). Premiered at the Independent Film Festival of Boston in April 2005, just a month short the decision's one-year anniversary.