AccepTance
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A Common Sequence(en)
An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
beer cans under my bed(en)
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
Próxima Parada(pt)
Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.
Day of Rage: How Trump Supporters Took the U.S. Capitol(en)
As part of a six-month investigation, The Times synchronized and mapped thousands of videos and police audio of the U.S. Capitol riot to provide the most complete picture to date of what happened - and why.
The Garden Cadences(de)
Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.
No Norte da Saudade(pt)
Kalú Kariú, a trans artist and poet from northern Brazil, reflects on how “saudade”, an untranslatable feeling of profound nostalgic longing, becomes a powerful source of creation. After eight years away from his roots, Kalú invites us into a space where memory, distance and identity intertwine, and art is born from absence.
Snaketown- Early Indian Farmers Conquer the Arizona Desert(en)
This film is a documentary on the archaeological excavation of the Snaketown Dig just out of Phoenix Arizona. Snaketown in Arizona is dated by some scholars to around 300 BCE., The site of Snaketown is positioned on the Gila River Basin near Phoenix AZ at the Gila River Indian Community. Both the Hohokam and the Ootam peoples have occupied the land and from what I gather there is some contention on who did what when. Isn't their always. This is a really great film on the excavation of Snaketown and is a valuable educational resource I am fortunate to have. The Pima Indian father of Ira Hayes makes an appearance.
to boyhood, i never knew him(en)
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
Tooth and Nail(ro)
Two filmmakers follow a businessman turned eco-activist as he exposes Romania's timber mafia. Their journey takes a dramatic turn when, in the middle of a forest, the three are attacked by a group of 12 angry men. The cameras are destroyed, and all footage is lost. Faced with this harsh reality, each of them tries to manage the situation as best they can, confronting their own doubts and limitations.
Phantasia(xx)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
For Better or For Worse?(tl)
The Philippines remains the only nation without legalized divorce. Through the perspectives of a controversial priest, a women's rights advocate, and a child of a separated couple, this documentary explores whether the legalization of divorce in the country would be for better or worse.
We've Been Around(en)
In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.
Deshilando Luz(es)
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
The Words to Tell You(fr)
Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.
LIBREVILLE, OURS(fr)
After his documentary 'Once upon a time Libreville' made in 1972, director Simon Auge recalls the memories of his city dating and what it has become in modern times. "You have to live with your time," he concludes.
Where Is Amy Pressman(en)
In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.
Tattoos: A Scarred History(en)
An exploration of how the once taboo art form has become socially acceptable.