Satires and humorist sketches about everyday life and the ridiculousness of social interactions.
During this unprecedented pandemic, KCON has made a historic pivot to a 7-day-long virtual concert as KCON:TACT. Behind the curtain of KCON:TACT 2020 SUMMER, this documentary offers an all-access look at the dreams and passion of the top K-POP acts with unaired footage, behind-the-scenes, and interviews.
Though he’s always considered himself straight, Daniel begins to develop feelings for his alluring new co-worker Javier. Once he admits to his bisexuality, he enters a new world of potential partners. All the while, however, he’s looking to work up the courage to tell Javier how he really feels.
Final Verdict is a TNT Drama movie, starring Treat Williams, Olivia Burnette and Glenn Ford. It was directed by Jack Fisk. This was the last work of Hollywood legend Glenn Ford.
Hilarious web series about 3 college freshman in search of having the time of their lives with their off the wall RA and 2 hot neighbors in their co-ed dorm.
It tells the story of Situ Yan, a young lawyer from Peking who was dismissed from his post for sticking to his principles. He comes to Harbin to become a detective where he meets the forthright and wealthy friend Luo Shao Chuan in ensuing cases. He also meets Zhou Mo Wan, a woman who dares to love and hate. Together, they dig up a huge conspiracy.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Shu Tajimage happens to meet Fumiyo Bessho, a former high school senior, by chance. He is a popular guy with many girlfriends. But he has to end these relationships out of necessity. After hearing his story, Fumiyo unintentionally mutters that this situation is exactly like Osamu Dazai's unfinished novel 'Goodbye'. Shu is moved by the queer coincidence.
A girl is looking at a remote island on the ocean named The Yatter Kingdom, a country that is said to be ruled by the hero Yatterman. The girl wants to ask the Yattermans for some help to cure her sick mother and decides to venture to the kingdom. She gets kicked out from the kingdom though and her mother dies without receiving any help. Under Dokurobei, the boss of the Dorombo thieves that existed, lies a beauty named Doronjo. The two men, Boyacky and Tonzura, worked under Doronjo but got kicked out from the Yatter Kingdom along with the Doronbo thieves as they lost a fight against the Yatterman. This is the new generation of Dorombo—Doronjo, Boyacky, Tonzura, and new Yatterman—a story of the birth of Gan-chan and Ai-chan.