Ecomoda is a sequel series to RCN Televisión's I am Betty, the ugly in 2001. It tells the story of Armando and Betty's married life, as well as new small stories with their parents and new characters. Its main plot is the future relationship between Ecomoda, the Fashion Group, and Hugo Lombardi. It stars Jorge Enrique Abello and Ana María Orozco, along with Julián Arango, Ricardo Vélez, Lorena Meritano, and Geoffrey Deakin. Despite having great ratings, it did not experience the same success as its predecessor, in addition to the absence of the main roles of Natalia Ramirez and Lorna Paz from the original series, ending 5 months after its premiere.
Taking place mainly in Bogotá, Colombia, Betty La Fea is essentially a Cinderella comedy about the rise of poor, ugly 'Betty' Pinzón and the fall of rich, handsome Armando Mendoza. Armando is a very incompetent playboy with a scheme to turn a huge profit as the new President of Eco Moda, a famous clothing manufacturing company, but his scheme is doomed because of his faulty mathematics. Because Betty, his secretary (and economics wizard), is in love with him, she helps Armando deceive the Board of Directors as he loses money and brings the company to ruin. Betty, la Fea is arguably the most successful telenovela of all time and one of the most popular television shows in the world. It is the first telenovela to have been remade worldwide and has been regarded as bringing the telenovela to new levels of success.
Searching for his kidnapped daughter, Antonio sets off a series of events affecting scores of people when he maneuvers to be sent to prison in Colombia.
Por Ella Soy Eva is a Mexican soap opera produced by Rosy Ocampo for Televisa based on the Colombian soap opera En los tacones de Eva. Jaime Camil and Lucero starred as main protagonists, while Mariana Seoane and Marcelo Córdoba starred as the main antagonists. "The Best Telenovela of the Year 2013."
A Mexican telenovela based on the Argentinean telenovela Los Roldán.
Reina Ortiz will suffer an accident that will cause her to forget the last eight years of her life, in which she became the wife of tycoon Victor de Rosas, Clara's mother and the owner of the most famous bridal atelier in Las Vegas. She doesn’t even remember the happiest moment of her life; when she fell in love with Nicolas Nuñez. Now Reina, who feels she doesn’t belong to this world of luxury and power, will strive to discover her own truth. Meanwhile, Nicolas is working for the secret service under a new identity as Javier Bolivar, is seeking revenge after Estefania Perez made him believe Reina and Victor were responsible for his unjust imprisonment. Entangled in secrets, tricks and deceptions in a double life of gamble under the framework of gold and precious stones trafficking, Nicolas and Reina will fight for the only thing they cannot leave to chance, their love.
A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.
The life of Osman Bey, the son of Ertugrul Gazi and the founder of the Ottoman Empire.
A humble young woman allows herself be manipulated by her twin sister to replace her so she can leave with another man.
Destilando Amor is a 2007 Mexican telenovela produced by Televisa and Nicandro Díaz. It stars Angélica Rivera and Eduardo Yáñez as the main protagonists and was set primarily in Tequila, Jalisco. It is a remake of the 1994 Colombian telenovela Café, con aroma de mujer, and was nominated for twelve Premios TVyNovelas of which it won ten including Best Telenovela of the Year.
Juana la Virgen is Venezuelan telenovela written by Perla Farias and Irene Calcaño Cristina Policastro Basilio Alvarez, German Aponte and Julio Cesar Marmol Jr. and directed by Perla Farias and Tony Rodrigues. It is distributed by RCTV International all over the world.
A Roman general leads the epic 1st-century siege of Masada, the mountain fortress where more than 900 Jews made a heroic stand against 5,000 Roman soldiers.
Engineers, officials and the crew members' families provide their perspective on the 1986 Space Shuttle Challenger disaster and its aftermath.
El extraño retorno de Diana Salazar is a 1988 Mexican telenovela starring Lucía Méndez and Jorge Martinez. It is an unusual example of a telenovela which addresses supernatural topics.
Azize finds herself with her 3 children and mother-in-law in a difficult fight. She raises her children while fighting the difficulties of the war period and her husband's absence whom she loves more than anything. It's about war, love, greed, treason and sacrifice.
La Pícara Soñadora is a Mexican telenovela shown in 1991, based on a 1956 Argentine film of the same name directed by Ernesto Arancibia. This telenovela contains 80 episodes and stars Dina de Marco, Irán Eory, Eduardo Palomo, and Mariana Levy.
Hilarious high school teacher Gabriel Iglesias tries to make a difference in the lives of some smart but underperforming students at his alma mater.
Llena de amor is a Mexican Spanish-language soap opera, produced by Televisa, that began airing in 2010. It is a remake of the 2002–2003 Venezuelan telenovela Mi Gorda Bella, which itself was inspired by the 1999–2001 Colombian telenovela Yo soy Betty, la fea. Llena de amor is about Marianela, an overweight girl, played by Ariadne Díaz, who is caught up in a set of family intrigues when she moves in with her aunt and uncle after becoming an orphan. The show premiered on May 3, 2010 in Mexico. It is produced by Angelli Nesma Medina. It formally aired in the United States on Univision at 7pm/6pm central from August 9, 2010 to April 19, 2011, replacing Mi Pecado.
Destiny brings two youngsters together in the middle of a flower show whose love story begins as soon as they meet. Maia and Pablo come from different social classes: Maia is Othón’s daughter, one of the most important entrepreneurs in the flower growing industry, while Pablo belongs to the bodyguard squad escorting Antonia, Othón’s biggest opponent… two people holding a lot of grudge. Antonia and Othón met at a young age and they don’t miss any chance to hurt each other, so when the confusing encounter between Maia and Pablo takes place, Antonia uses that ‘holy gift’ to fool the girl by telling her Pablo is one of the most important flower-growers in the country... a lie that is not intended to hurt Maia, to whom is irrelevant whether Pablo has money or not, but Othón instead, a nouveau riche with no class who wants his daughter to marry a wealthy man and would be ov