Orphaned when he was not yet ten, Musashi grows up skilled in the martial arts. During the Battle of Sekigahara, he fights on the side of the losing Toyotomi forces, but eludes the enemy as they hunt down the vanquished soldiers. He then spends years wandering the countryside mastering the sword. As his fame spreads throughout the nation, men seek him out to test their skills against him--most notably Sasaki Kojiro who faces Musashi in the ultimate duel at Ganryujima.
Father Ray, a card-playing, cocktail-sipping, blues-loving priest, ministers to his parishioners at St. Thomas, a large urban church in an inner-city neighborhood. He grapples with his own personal failings, including occasional crises of faith. Offering support are wise older priest Father Leo, young idealist Father Eric, and feminist nun Sister Maureen. (The series was co-created by a Jesuit priest named Bill Cain and producer David Manson.)
Kintaro Yajima comes to Tokyo and is hired by Yamato Construction Company when he saves the life of the company's CEO. A former leader of a motorcycle gang, Kintaro is known for his highly principled and forthright way of dealing with matters and is never afraid to tell his superiors exactly what he thinks. This has a tendency of irritating some; but when corruption from within the company begins to surface, he may be the only one who can stand up to it.
Si Woo, the female lead, suddenly gains superpowers one day: ‘if you share the Subway menu, you can hear the person’s heart’. The title of the work was created by combining the English word ‘Hear’ and Subway’s ‘Way’ to contain the same content.
The long, cold winter has just hit New England, and while the bluefin tuna season has come to an end in Gloucester, Mass., it’s just getting started in the Outer Banks of North Carolina. After a disappointing season, several of Gloucester’s top fishermen head south to try to salvage their finances by fishing for the elusive bluefin tuna in unfamiliar Carolina waters before the experienced locals beat them to the catch. It’s a whole new battlefield and the Northern captains must conquer new styles of fishing, treacherous waters and the wrath of the Outer Banks’ top fishermen. They’re gambling on what could be a massive payday … or a huge financial loss.
Taboo-busting adaptation for television of Jean-Paul Sartre's trilogy.
In May 2003, the murder of an upcoming poetess in Lucknow transforms into a political whirlwind, and minister Amarmani Tripathi is in the eye of the storm. No one could have imagined that the killing would unpack a complex web of lies and power politics.
Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry.
When he was a little child, Halil İbrahim lost his father due to a blood feud and was exiled to Istanbul. Twenty years later, he returns to his homeland in the Karadeniz region as a handsome, powerful young man. He plans to marry the girl he loves, Yasemin, and start a new life. However, events do not allow this. Halil İbrahim embarks on a journey of revenge, and his life will change completely when he encounters Zeynep from the Leto family.