I'm not funny(2020)

Aziz Ansari: Buried Alive(en)

Standup comedian Aziz Ansari ("Parks and Recreation") headlines his third standup special, where he shares his uniquely hilarious perspective on fears of adulthood, babies, marriage, and more. Ansari's look at life on the cusp of 30 years old is smart, unfiltered, and hysterical.

Sarah Silverman: We Are Miracles(en)

In her first-ever HBO solo special, Sarah Silverman takes the stage for an evening of adults-only stand-up comedy. Taped live in front of an intimate audience of 39 fans at Largo, a music and comedy club in Los Angeles, Sarah Silverman: We Are Miracles features Silverman taking aim at such subjects as cell-phone porn, crazy religions, specialty deodorants, terrible roommates, eyebrow waxing, her 19-year-old dog, Obama and Republicans, having babies, Pixar movies, the miracle of existence, and more.

The Ringer(en)

A fashion fad, a hip new band and a drug are marketed to kids in unnervingly similar ways.

Self Service(it)

Hungry mosquitos, in search of a meal, find that fruit, flowers and other such fare doesn't satisfy. One enterprising bug hits the jackpot - a human! However, the victim vigorously resists joining the food chain, causing a number of winged casualties. The little buggers wait until the man falls asleep, then set up a number of enterprises: cafes, bars, filling stations, all serving blood. Things are going well, but then the mosquito Cosa Nostra moves in, and ramp production into high gear.

Girl And Soldier(ka)

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Bakelite(en)

This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Garfunkel and Oates: Trying to be Special(en)

Garkfunkel and Oates: Trying to Be Special is the first special by the musical comedy duo of Kate Micucci and Riki Lindhome. The pair filmed the special at the Neptune Theatre in Seattle, and it features songs, comedy, and a new Garfunkel and Oates music video.

La Mode rêvée(fr)

An American star, visiting Paris, falls asleep in the Louvre while a guide comments on Watteau's "Voyage à Cythère". She dreams that the painting's characters, beautiful ladies, escape, scattering across Paris after a tour of the fashion houses.

Jim Breuer: Silly in San Diego(en)

Rachel Feinstein: Only Whores Wear Purple(en)

In Rachel Feinstein's first hour-long special, she brings her blunt humor to a variety of topics, including her love of Christian sleepovers and the purposelessness of dick pics. Feinstein embodies a variety of memorable characters like her terrifyingly mature middle school friend, her judgmental grandmother, and porn star Jenna Jameson.

Death Day(en)

During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.

Down from Heaven(mk)

Ana, a 15 year old girl, replaces the SIM card from her phone, with that of her late grandfather. She starts pranking her family by sending them messages, using his number. But the seemingly naive joke turns against Ana.

Charles Santore Illustrates The Wizard of Oz(en)

Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.

Oh Sheep!(de)

An animated short film about two flocks of sheep and their shepherds who are at odds with one another and attempting to keep them separated.

M6NTHS(en)

Short film about an animal in captivity longing for the outside. An animal that, like us, dreams, is intelligent, curious, social and sensitive, and in whom we can clearly recognise a soul. The piglet in this movie invites us to see the world through his eyes, which will forever change our view on pigs.

A Stranger in Her Own City(fr)

A documentary short that follows a 13-year-old girl named Nejmia, who lives in Sana’a and refuses to wear the veil.

Counterweight(en)

An introverted man wrestles with his self image in the hours leading up to a party.

Milk(en)

What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.