A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.
Rangoni (voice)
In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned.
A look at the last few days of in the life of composer Frédéric Chopin's professional life.
In 1985, while working as a coal merchant to support his family, Bill Furlong discovers disturbing secrets kept by the local convent and uncovers truths of his own; forcing him to confront his past and the complicit silence of a small Irish town controlled by the Catholic Church.
Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.
In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.
Unlikely hero Mickey Barnes finds himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Sébastien, a conscientious and professional train inspector, dreams of being transferred to the South of France. To validate his transfer, he has to make one last routine run under the supervision of Madeleine, a slightly sociopathic inspector who won't let him go. That's when everything goes wrong: between a driver who thinks he's driving a fighter jet, a jealous colleague and passengers who are each crazier than the last, what was supposed to be a formality turns into the worst trip of his life.
While serving as a juror in a high profile murder trial, family man Justin Kemp finds himself struggling with a serious moral dilemma…one he could use to sway the jury verdict and potentially convict—or free—the accused killer.
After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charged with protecting the Multiverse’s very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must set out on his own to save those he loves most.
The story of J. Robert Oppenheimer's role in the development of the atomic bomb during World War II.
Gurus in the late Goryeo dynasty try to obtain a fabled, holy sword, and humans in 2022 hunt down an alien prisoner that is locked in a human's body. The two parties cross paths when a time-traveling portal opens up.
Three British teenage girls go on a rites-of-passage holiday—drinking, clubbing and hooking up, in what should be the best summer of their lives.
Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.
With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.
While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.
Miraculous holders from another world appear in Paris. They come from a parallel universe where everything is reversed: the holders of Ladybug and Black Cat Miraculouses, Shadybug and Claw Noir, are the bad guys, and the holder of the Butterfly Miraculous, Hesperia, is a superhero. Ladybug and Cat Noir will have to help Hesperia counter the attacks of their evil doubles and prevent them from seizing the Butterfly's Miraculous. Can our heroes also help Hesperia make Shadybug and Claw Noir better people?
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
The acclaimed Italian director, Emma Dante, presents a powerful, barbaric and at time frenzied Macbeth with great attention to detail. Staged and filmed in Italy's largest theatre, the Teatro Massimo in Palermo, Sicily, this production captures remarkable performances by the Italian soprano Anna Pirozzi as Lady Macbeth, the renowned Verdi specialist, baritone Roberto Frontali, in one of his signature roles, and the rising star, Croatian bass-baritone Marko Mimica as Banco (Banquo). The conductor, Gabriele Ferro, has opted to use the 1865 Paris version of the score, sung in Italian and without the ballets, for a production that received generous praise in Palermo and on tour.
Written for exceptional singers, Il Trovatore has remained popular ever since its first performance at the Teatro Apollo in Rome on 19 January 1853, when even the toughest critics were convinced of its place in the repertoire. People are attracted to Il Trovatore because of its rousing melodies, its brutal, powerful plot, and its simple structure: elements that make it one of the best examples of Verdi’s theatre pieces. Recorded live at the Sferisterio theatre of Macerata in the summer of 2016, under conductor Daniel Oren's vibrant and incisive direction, this production boasts a first-rate cast and elegant direction from Francisco Negrin. The sets and costumes by Louis Désiré and lighting by Bruno Poet were well received by the Sferisterio audience.
The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.
A vengeful beauty foils the plans of the bloodthirsty Hun warrior to conquer Rome.
Henry Purcell's opera Dido & Aeneas, completed in 1689, was the subject of a memorable and breathtaking performance at the Staatsoper Berlin in 2005. In Dido & Aeneas Sasha Waltz opens up new horizons in music theatre, creating a fusion of dance, singing and music the choreographic opera. The (extended, revised) libretto, the (reconstructed) music, vocal parts, dance, the stage set featuring a rousing underwater ballet combine to form a sublime total choreography and parallel action involving dancers, singers and musicians. In this choreographic opera, Sasha Waltz demonstrates not only her familiarity with Emile Jaques-Dalcroze and Pina Bausch, but also the confidence she has in her own style. Sensational!
Requiring 38 soloists, chorus, and large orchestra, Hans Pfitzner's "Palestrina" is a challenging opera to stage. In Munich, the city in which it was premiered in 1917, director Christian Stückle, conductor Simone Young, and the Bavarian State Opera met those challenges with stunning success.
The story of the star crossed love between Manon Lescaut and Des Grieux.
Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”
Extraordinary soprano Lise Davidsen stars as the volatile diva Floria Tosca for the first time at the Met. David McVicar’s thrilling production also features tenor Freddie De Tommaso in his eagerly anticipated company debut as Tosca’s revolutionary lover, Cavaradossi, and powerhouse baritone Quinn Kelsey as the sadistic chief of police Scarpia. Met Music Director Yannick Nézet-Séguin conducts the electrifying score, which features some of Puccini’s most memorable melodies. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
Die tote Stadt tells the story of Paul, a young man torn between fidelity to the memory of his deceased wife and a growing attraction to her living look-alike. Paul enters a series of increasingly disturbing and violent visions, and the plot takes on the subtleties of a psychological thriller.
One of the greatest revolutions in the history of mankind happened around 3000 years ago: the transition from polytheism to monotheism through the prophet Moses. God revealed himself directly to Moses, instructing him in absolute truth. Moses was charged with leading the people of Israel to the Promised Land and escaping from Egyptian slavery. Moses came to embody the relationship between the human and divine truth. God’s call to Moses presented a new idea that exploded all previous religious concepts: ‘One God – unique, eternal, intangible, inconceivable’. Moses understands this concept, but is unable to express it, and therefore God appoints Moses’ brother Aaron as his spokesman. They are bound to fail: Aaron can only approach sharing the idea by compromising its meaning, whilst Moses is left to search fruitlessly for “the word I lack …” This production of Arnold Schoenbergs opera was filmed during the Ruhrtriennale 2009.
Le Nozze di Figaro New Production Teatro Real in co-production with Bilbao’s ABAO and Las Palmas Teatro Pérez Galdós. From the opening notes of the overture to the final curtain, Emilio Sagi’s classic, triumphant production brings to life all the elegant wit and theatricality of Mozart’s comic masterpiece Le nozze di Figaro. Leading baritone Ludovic Tézier shines as the lustful Count Almaviva who attempts to obtain the favors of Figaro’s bride-to-be, Susanna (Isabel Rey), while Luca Pisaroni gives a feisty performance as Figaro. Conductor Jesús López Cobos masterfully captures the enchanting score. A witty yet profound tale of love, betrayal, and forgiveness.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.
Gaul has been conquered by the Romans. Oroveso, the Arch-Druid longs to lead a Gallic rebellion against the colonial forces. He and all the others wait for the signal to be given by his daughter, the Druid High Priestess Norma. But Norma has fallen in love with the Roman Proconsul, Pollione, and given birth to two children. They have been brought up in secrecy by her confidante Clotilde. Norma still loves Pollione but he has fallen in love with a novice priestess, Adalgisa.
Akhnaten is set in Ancient Egypt, and based on the accession to the throne of the pharaoh Amenhotep IV – thought to have been around 1351BC – on his religious convictions, and the consequences of his actions. Presented as a combination of song, dance and music, the opera has a libretto by Philip Glass, Shalom Goldmann, Robert Israël and Richard Ridell, with the text drawing on ancient hymns, prayers and inscriptions, sung in their original Egyptian, Hebrew and Akkadian form. Produced by the Opéra de Nice Côte d’Azur as part of the Festival MANCA.
A live recording of Carl Orff's world-famous musical masterpiece Carmina Burana, performed by more than 100 singers and dancers of the National Opera and Ballet of Ukraine (Odessa).