

A documentary film chronicling the rehearsal, preparation and performance of a Fishmans concert performed on February 19, 2019 @Zepp Tokyo.
Himself
Himself
Himself
Himself
Himself
5.0About the English musician, composer, record producer, singer, writer, and visual artist, Brian Peter George St John le Baptiste de la Salle Eno, made shortly after his departure from Roxy Music. Featuring the recording sessions for Eno's record "Here Come the Warm Jets". A long lost documentary.
7.6Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.
6.0A film about modern Japanese architecture, its roots in the Japanese tradition and its impact on the Nordic building-tradition. Winding its way through visions of the future, traditions, nature, concrete, gardens and high-tech, KOCHUU tells us how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions. Interviews with, and works by, Japanese architects Tadad Ando, Kisho Kurokawa, Toyo Ito and Kazuo Shinohara and Scandinavian architects Sverre Fehn, Kristian Gullichsen and Juhani Pallasmaa.
0.0A Film by Andre Perkowski Made Out Of All The Other Beach Boys Films
0.0Every drift fans knows that despite the growing popularity of drift-racing, the heart of the ride will always be the Touge (mountain pass), and in this release Nomuken leads the JDM Option team through the very origins of Japanese drifting. As an added bonus, the JDM Option crew also shares a mysterious video sent in by an unidentified street racer who rockets along the Tomei Expressway at speeds in excess of 300km/h.
7.5Guns, God and Government is a concert film chronicling the band Marilyn Manson during their Guns, God and Government tour. It was released on October 29, 2002 on the formats VHS, DVD and UMD. The DVD contains live tracks and performances that switch between visuals of various shows from United States, Japan, Russia, and Europe while maintaining a single consistent music track.
0.0BAND-MAID's first Online Okyu-Ji in response for recent concert cancellations due to COVID restrictions.
7.8A tale of delinquent and lazy school girls. In their efforts to cut remedial summer math class, they end up poisoning and replacing the school's brass band.
0.0-- The Tale of Genji -- Hikaru Genji was born to Kiritsubotei when he was Emperor, as the second imperial Prince. Since childhood, he has harbored feelings of love for Fujitsubo-no-Nyogo, the Empress of Kiritsubotei. -- Melodia -- This performance comprises a number of musical pieces played to passionate as well as beautiful melodies and rhythms that generate excitement. They all are part of passionate and beautiful tunes that brim with love, dreams, hopes, passion, sorrow and an energy that knows no bounds.
0.0Following the cancellation of the bands Zepp Haneda performance, a 2nd Online OKYU-JI was held on Sunday August 16th
0.0BAND-MAID's 3rd online stream and for the first time a full-on show! Shot from up on the stage to bring a view many do not usually get to see! The Song "Different" was played for the first time.
An independently produced documentary about growing up as a blind youth in 1960's Japan. It focuses on a group of elementary level students being taught by Mr. Kawai at the Zoshigaya Branch of Tokyo Educational University. Filmed over 12 years, the documentary tracks these student's lives up through their young adulthood. It follows the journey of one student in particular, Kiyoshi Hasegawa, a young boy who eventually learns a passion for music and wants to become a recording artist. Expanded from director Hideo Hamada's documentary short "But We Can Gaze!"
0.0A documentary film that includes footage of past Olympics held in different countries with an particular emphasis on the activities and successes of Japanese athletes and how they are currently (circa 1963) improving themselves.
0.0An in-depth look at the world of Japanese street racing.
10.0THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.
0.0Suh, whose favorite Packer will always be Mason Crosby; Omi and Ayaka, whose infant daughter already sports a green and gold onesie, and Ryuta aka “fatdragon08” who briefly lived in Milwaukee in 1990, studying English, where he was teased for wearing a San Fancisco 49ers jacket, and subsequently converted to the Pack Life. Benzine’s film lets us spend quality time with these super fans, and then follows them as they make plans to cross the sea to see their beloved Packers in-person at Lambeau! As director Benzine says, “No Packers, No Life is a story about a sports team and their fans, but more than that it illustrates how people from all over the world can come together and unite over a common passion. Also, the Japanese fans arrive in Green Bay and get to ride the Zippin Pippin and party a lot. It’s a very good time.”
0.0Dan Cleveland, a Minneapolis-based rock guitarist/deliveryman meets obstacles to his musical ambitions with uncanny determination, perseverance, and strange "inventions."
0.0High Performance Imports v8 brings you more driving action than ever before!
8.0Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.
