The students behind the mic and the bands they made famous tell the story of the youth and music culture that originated, and later flourished, on the airwaves of American colleges and universities, establishing a new generational voice and a new path to success for many alumni and artists.
The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an FM rock radio station and hold the deejays hostage until they agree to broadcast the band's tape.
Three young musicians and three female singers strive for success, competing each other. But love gets in their way.
Inspired by the music and songs of Raj Begum, Songs of Paradise tells the story of the first female singer at Radio Kashmir, a radio station in the valley of Kashmir, a paradise on earth marred by conflict.
A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.
DJ Chris Moyles looks at how the Radio 1 Breakfast Show has reflected life in Britain over the past 40 years, as he meets his predecessors in the early morning slot.
Street vendors in Korea are almost like a national institution, they are so widespread and relied upon. In Little Pond in Main Street a group of vendors band together to create a community radio station but come into conflict with other groups, as well as the government trying to shut them down.
Eddy Arnold, singing star of the Ace Lucky radio program gets involved when Ace's equipment for a television program is destroyed by a fire. Aces accepts the sponsorship of social-climber Lucille Upperworth, who tries to revamp the western/hillbilly music format to classical music.
SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.
An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.
A girl (Alice Babs) from the country moves to Stockholm to become a singer.
A grandson of a recently deceased millionaire mistakes a beautiful female disc jockey for her aunt, who once dated the grandfather.
April 24, 1993: it's the last broadcast of Radiofreccia, an independent radio station closing after 18 years, barely one minute before coming of age. Bruno, one of its founders, begins to tell its story, the story of a group of friends—especially troubled Freccia's—and a period of their youth in their small hometown.
A monk who got away with everything. Although much of his behavior aroused public outrage, or at least controversy, he never suffered any real consequences for it.
Imagine an AM Radio Station with a dawn to dusk license that played nothing but jazz and comedy records. Did I mention it FLOATED in the Ohio River and changed the culture of a Community? The history of Cincinnati Jazz is long, wide, diverse and in the case of WNOP sometimes beyond belief. Saxophonist turned filmmaker Christopher Braig's second Film will focus on the people, music, and cities that kept "The Jazz Ark" sailing for 42 years from 1968 to 2000.
Titled after the first-ever song to play on their airwaves, Kick Out the Jams follows the development of XFM from its rebellious pirate radio roots in the early 90’s, through to its official FM radio launch in 1997 as a major platform for launching alternative talent into the mainstream. The doc deep-dives into the struggles and influence of the station which gave rise to the likes of Ricky Gervais and Stephen Merchant, whose global hits The Office and The Ricky Gervais Show were originally developed while working at the radio station.
Two-bit radio station owner Spud Miller doubles as the station's sole announcer. On the verge of bankruptcy, Spud is receptive to the wacky notions of George and Gracie, who've just invented a television device that can pick up and transmit any signal, any time, anywhere.
Built out of “a pile of radio junk,” Bethesda, Maryland’s WHFS was a music fan’s dream of a radio station: the place on the dial to hear music listeners loved and new tunes they soon would, all with an anything-goes mentality and an ear for the sounds of social change. This doc pays loving tribute to free-form radio and WHFS’s influence over FM stations across the US from the 1960s to the 1980s. All good things come to an end, and so did the disc-jockey-driven format that WHFS pioneered and made successful, but its legacy lives on. The station’s DJs relate its history with passion in this film that captures the tenor of an era, abetted by reminiscences of performers including Emmylou Harris, Taj Mahal, Jesse Colin Young, and others whose music found its way to ears and minds eager for something more than the same old Top 40 programming.