An individual finds that the world that intrudes upon his personal life cannot be escaped, and he turns to the next generation.
An individual finds that the world that intrudes upon his personal life cannot be escaped, and he turns to the next generation.
1986-01-01
0
Frank Capra, with a twist. Garlic Boy is a boy - who's also a stalk of garlic - who goes out into the world to "do good for others." His mother gave him a case of her special "garlic tonic" and Garlic Boy uses this tonic to cure "folk of what ails them."
Betty Boop goes to work on the subway (Trample 'Em R.R. Co.); Pudgy the Pup follows her and gets more ride than he bargained for.
Emily the chicken lives in Hickville but dreams of Hollywood. Her chance comes when director J. Megga-Phone happens to drive past and gives her his card.
When the lights of the city go dim, all of the kitties are let outdoors to prowl. Holding a meeting, they come up with a plan to rid themselves of a neighboring dog. The cats proceed to torment him, chase him with a water hose, and try feeding him.
We take a tour of Porky's Poppa's farm, to the tune of Old MacDonald. After meeting several animals, "on this farm, he has a mortgage" which he frets over, particularly since Bessie has stopped producing milk. Poppa orders an Acme milk producing robot, and the beast vs. machine battle is on.
The mice are on the loose after hours in a doctor's office, playing with the various pieces of medical apparatus. Susie Mouse is caged for research until her lover Johnnie frees her. A mouse orchestra plays a swinging wedding song. But throughout, a cat is stalking...
Literary characters come to life late at night in a bookshop, serenading Sniffles the mouse with swing music until the Frankenstein monster intrudes.
Eight-year-old Tilda’s memories of her family as surrealistic visions come into life: the circus member ex-mermaid grandmother, the erotically overheated mother and the disappeared father whose broken heart, anger and jealousy manifest as a rhino. Tilda’s life is full of grotesque, bizarre characters hungry for love.
In a dense forest, a monoceratops-type plant-eating dinosaur is stalked by a carnivorous Tyrannosaurus rex.
Long ago in a land with an ailing king, there was a pair of boys who looked exactly alike, a pauper called Mickey and the other, the Crown Prince.
George and Elroy play hooky and George teaches Elroy how to shave.
Stand-alone cartoon by Spümcø's John Kricfalusi.
Jarnow adapts an architectural grid catalogue of cubic rotations in order to explore a direct relationship between animation procedure and logical numerical operations. The film is as much the making of animation as it is a paper model of a computer. The cube sheet, upon which the film is based, is so constructed that a horizontal cubic rotation and a diagonal pan yields a diagonal rotation. Combinations of these primary moves result in more complex rotations throughout this awe inspiring film.
A filmed exercise that follows in the path of Rotating Cubic Grid and Cubits, the predictably titled Cube features cubes of varying shapes and size sliding around and growing into and out of one another, demonstrating how multiple parts can make up a whole.
It might not take you long to cotton on to the trick of this film, but the results are still impressive. Though the various strings, wools and embroideries if this film are certainly animated in one sense, it is not through stop-motion animation. The time-consuming process of manipulating threads frame-by-frame is avoided by simply using reverse film techniques.
Short animation by Al Jarnow based on the work of British poet Edward Lear. Made at NYU.
A stream of consciousness experiment committed directly to celluloid, Jarnow pays homage to Stan Brakhage and Harry Smith. Abstract designs transform self portraiture, lettering tests and images traced from other films including a Charlie Chaplin short.
Tondo introduces the cosmic formalism that was the primary theme of Al Jarnow's independent films. An infinite gridscape alternates with vibrating etchings, spirograms and other surreal realities.
Intended to be an "animation machine," Four Quadrant Exercise finds Jarnow adapting a perspective system, enabling him to render complex motions almost automatically. Created prior to the streamlined ease of computer software, this short is a commitment to the joy of making marks on paper.