Pelle Svanslös(1991)

Orphée aux Enfers - Salzburger Festspiele 2019(de)

Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…

The Royal Ballet: The Nutcracker(en)

Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. The magician Drosselmeyer transforms the drawing room into a battle between mice and toy soldiers. During the battle, Clara saves the Nutcracker’s life – so breaking a magical spell that turned him from a boy to a toy – and the Mouse King is defeated. In celebration, Drosselmeyer sweeps Clara and the Nutcracker off to the Kingdom of Sweets, where they meet the Sugar Plum Fairy and take part in a wonderful display of dances. The next morning, Clara’s adventures seem to have been more than just a dream.

The Metropolitan Opera: Salome(de)

Met performances of Strauss’s white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe’s leading opera directors, gives the biblical story—already filtered through the beautiful and strange imagination of Oscar Wilde’s play—a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light.

Orfeo ed Euridice: Vienna Version(en)

From the Baroque Theater at Český Krumlov Castle: Christoph Willibald Gluck's Orfeo ed Euridice (Orpheus and Eurydice) starring Regula Mühlemann, Bejun Mehta and Eva Liebau, with Collegium Vocale 1704 & Collegium 1704 under the baton of Václav Luks. Directed by Ondřej Havelka A co-production of Clasart / Unitel / ORF in association with Czech Television / SVT / YLE / RSI / Arthaus Music

Candide(en)

The innocent Candide discovers that human beings aren't all they are cracked up to be and ultimately focuses on building his own life on his own terms.

Алкина песня(ru)

Don Giovanni(it)

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

Semele(en)

Mythology goes to church in New Zealand Opera's unique, site-specific staging of Handel's baroque masterpiece. This sensual story explores a love triangle between Jupiter, King of the Gods, his wife, the goddess Juno, and his lover, the mortal but overly ambitious princess Semele. This engrossing film of an in-the-round live performance showcases Handel's exquisitely lyrical music and presents a powerful story of ambition that is as relevant today as it was when written nearly three centuries ago.

Juilliard Opera: Dialogues des Carmélites(en)

“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.

The Metropolitan Opera: Carmen(fr)

Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.

Hunter's Bride(de)

Inspired by Carl Maria von Weber's Der Freischütz, the film opera Hunter's Bride traces the romantic rivalry between two veterans of the Napoleonic Wars who each vie for the heart of the same woman.

7 Deaths of Maria Callas(en)

A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.

Don Carlo(it)

This opera was filmed live at La Scala in 1992. The all-star cast includes Luciano Pavarotti, Samuel Ramey, aolo Coni, Daniela Dessi, Luciana d'Intio, and Alexander Anismov. Riccardo Muti conducts.

Gluck: Orfeo ed Euridice(it)

Based on Gluck's masterpiece and performed entirely on location in and around the environs of the Baroque Theatre at the Cesky Krumlov Castle in the Czech Republic; it's an opera production designed specifically for the film with outstanding sets and production values. Countertenor Bejun Mehta sings the role of the torn main character and acts as an artistic advisor, making for an involving and impeccably performed opera.

Verdi: Rigoletto(it)

Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...

Countess Mariza(de)

Paying a rare visit to her estate, a countess clashes with the man she hired to manage it.

Carmen(fr)

Filmed production of Bizet’s Carmen at Earls Court in London, June 1989.

The Mikado(en)

ENO revival of the classic Gilbert and Sullivan operetta as reimagined in a 1930s grand hotel setting with Marx Brothers-inspired humour and Busby Berkeley-style dance numbers

Fru Björks öden och äventyr(sv)

The story follows Vivian's life from young girl through two marriages, divorce, liberation and class trip, to a baglady.

Faust(fr)

In an epic tale of good versus evil, Faust sells his soul to the Devil and tries to save Marguerite from an eternity in Hell.