First the Beaulieu documentation of the shoot, then the Arri footage, the porn loop, and the reprise. VT was shown from 1979–1981, with Jim Fulkerson performing on amplified trombone before the screen. Juan Carlos Kase discussed VT in “Alternative Projections.” Part of his essay, read by the author, is included. Preserved by the Academy Film Archive in 2011.
First the Beaulieu documentation of the shoot, then the Arri footage, the porn loop, and the reprise. VT was shown from 1979–1981, with Jim Fulkerson performing on amplified trombone before the screen. Juan Carlos Kase discussed VT in “Alternative Projections.” Part of his essay, read by the author, is included. Preserved by the Academy Film Archive in 2011.
1979-01-01
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A behind-the-scenes look at the responsibilities of the cinematographer. Preserved by the Academy Film Archive in 2012.
This film reveals through flashbacks how a 13-year-old boy and his family attempt to deal with the child's fatal affliction with leukemia. Preserved by the Academy Film Archive in 2012.
This fragmentary documentary was prepared at the request of the Academy of Motion Picture Arts and Sciences by Yoshio Osawa of the J.O. Studios in Kyoto, Japan, to illustrate current progress in Japanese sound picture technique. Preserved by the Academy Film Archive.
Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.
A propaganda short about the 1944 United States presidential election, produced by the Office of War information, for overseas distribution. It is meant to explain how the democratic process in America works. Preserved by the Academy Film Archive in 2007.
P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.
This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.
Inspired by a lesson from Erik Satie, a film in the form of a street: Castro Street, running by the Standard Oil Refinery in Richmond, California. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 2000.
Little Johnny Jones, to be born in the next year, is shown growing to a ripe, healthy old age, thanks to the efforts of his local public health officers. But without them, he might be one of the 5% or so that dies in the first year. The price for the public health service: about 3 cents a week. Preserved by the Academy Film Archive in 2005.
This claymation short film uses a real interview for dialogue. Bill Perry relates stories about his youth, his tilted house, and adventures during WWII in Bristol, England during the blitz. Preserved by the Academy Film Archive.
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.
This is one of those abstract animated films in which colored, richly textured light moves in a black, three-dimensional space. The pictures and the electronic score are unified in a strict structure made of three main sections which progressively develop three subsections. This film may look like it was made using computers or video to the uninitiated, but only animation and much optical printing are to be seen herein. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
Another short documentary of "Real Food, Roots Music, and People Full of Passion for what they do!", Spend It All is Les Blank's spirited look at the French-speaking Cajun community of southwest Louisiana. Preserved by the Academy Film Archive in 2013.
Documentary short subject preserved by the Academy Film Archive, from the Marshall Plan Collection, in 2003.
First person view of a man, seen only in shadow, attempting to connect with the world around him. Preserved by the Academy Film Archive in 2013.
What goes in to the phrase, "Let's go to the movies"? An off-screen narrator takes us back to the earliest days of film: clips remind us of early stars and blockbusters. He explains how sound came to motion pictures: we see Jolson singing "Mammy" and John Barrymore playing Richard III. Next is a salute to the 30,000 people working in Hollywood at 272 different crafts. A montage shows us some of those jobs. It ends with a look at the physical production of celluloid (cotton and silver) and the many aspects of movie making. The narrator promises more short films about each step in production. Preserved by the Academy Film Archive in 2012.
Short film in support of the Red Cross showing civilian volunteers'work, radio and movie personalities at a fund-raising gala and encouraging recruitment. Deanna Durbin performs a song dedicated to the nurses. Preserved by the Academy Film Archive in 2012.
An important early film by Stan Brakhage, which Joseph Cornell commissioned as a record of New York's Third Avenue elevated train before it was torn down. Curiously lacking in people, the film focuses on the rhythms of the ride and reflections in train windows, finding a real-world version of the superimpositions Brakhage would later create in the lab. Preserved by the Academy Film Archive in 2005.
This film, photographed and edited by Les Blank, produced and directed by Pieter Van Deusen, documents a spontaneously improvised concert by musician Christopher Tree. With his one-man orchestra, including 40 Tibetan temple gongs, flutes, tympani and wind chimes, Christopher Tree whirls and weaves his sound tapestry within a pristine forest. Preserved by the Academy Film Archive in 2013.
Documentary short detailing the American soldier's part in preserving the fundamental ideals of this nation. Preserved by the Academy Film Archive in 2012.