Simply Girl(2019)

Dogfriend(de)

A date takes an unexpected turn in this meditation on race, politics, and history in Germany.

The White Helmets(ar)

As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.

A History of The War on Drugs, from Prohibition to Gold Rush(en)

Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?

Do the Dead Speak to Us?(es)

Filmmaker Helena de Llanos, who lives in the chaotic house, full of memories and treasures, where her grandfather, Fernando Fernán Gómez (1921-2007), legendary writer, actor and director; and his wife, the actress and writer Emma Cohen (1946-2016), shared their lives, analyzes the relationship that the living have with the dead through the places and objects they have left behind.

A Normal Guy(ro)

Daniel got lucky tonight: this time he is not going home alone again. But is that enough to pull him out of his reality?

The Male Gaze: First Kiss(en)

The Male Gaze is a new series of releases from New Queer Visions that showcases short LGBTQ films from across the world. The first instalment, First Kiss, brings together five shorts that are based around men experiencing romantic and/or sexual interaction with other men for the first time. It takes in films from Sweden, Indonesia, USA, Australia and France giving a rounded look at how similar experiences are depicted across the world. The films are: Naked [Naken] (2013); Pria (2017); Walk With Me (2018), One Night Only (2018); Michel's Mouse [Tapette] (2016).

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Antoine and Colette(fr)

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Never Me(en)

“Never Me” is a student film about Serafina, a 16-year-old girl who endures the tribulations of attempting to receive an abortion in her home state of Texas after the overturn of Roe v. Wade. The story explores the importance of friendship and family as they journey through love and loss. Serafina treks a narrow path, but in the end became closer to those who matter most and gained a newfound respect for adulthood.

América, do Sul(pt)

D R I P.(en)

A Film About Writer's Block & Procrastination

Near To Earth(en)

This is the story of Gato, an Italian immigrant, who lives with his wife, Marie, and his younger brother, Giuseppe, on a small truck farm in the west. Gato becomes so intent on his work that he neglects to show his wife the little attentions she demands. A foppish wandering Italian, Sandro, sees in this an opportunity to work his ends, but is prevented by the timely interference of Giuseppe.

The Agency(en)

Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.

Touched(en)

What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.

Green(es)

In Alonso Ruizpalacios’ bracing and stylish film, security guards in an armoured van try to manage the stress that comes from being close to a pile of cash in Mexico City. The team’s stability is imperilled when one member nears his boiling point.

My Biker 2(th)

During the semester break, Gentle and Motor start a relationship, but when school starts again, Motor does not allow himself to be as close to Gentle as they were during the break. Gentle notices the distance and becomes hurt, causing damage to their newfound relationship.

Mickey's Descent Into Madness(en)

The film follows three Vietnam war veterans in the post-war period, who happen to be well known Disney characters. This choice that combines with the aforementioned atmosphere creates a delectable piece of work.

Swan Song(en)

An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.

The Colours of My Father: A Portrait of Sam Borenstein(en)

The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.

52 Tuesdays(en)

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.