Denise, Hannah and Leticia are three ordinary women with extraordinary stories to tell. As transgender people, they talk about the challenges of finding their true identities within an intolerant and prejudiced society.
Ian splits his time between working his dead end warehouse job and taking care of his ailing mother. The stresses of everyday life, alongside Anna's illness, have created a rift between the two that is seemingly insurmountable.
A dinner party with old friends takes a shocking turn as wounds are exposed, revelations are made, and the past resurfaces. Over one tense evening, Cynthia learns that some things can never be unsaid.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Short film directed by Rudolf Del Zopp.
Great Britain voted to leave the EU. While euphoria and disappointment are mixed among the population, William decides to go to visit his parent discovering that love could be hidden in unexpected choices.
Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.
On the eve of deportation, a refugee hacker fights for a chance at the American dream after he is betrayed by a politician using him to sway public opinion.
A forty-five-year-old history teacher, Jin-tae, has hallucinations about one of his students.
In rural Louisiana, 11-year-old Sabine's widower father misses Ash Wednesday Mass, so she pushes him to give up drinking for Lent. He breaks his vow, evoking the wrath of the ROUGAROU, a mythical bayou beast who punishes bad Catholics. Now Sabine has to step up to save him from the monster or risk losing her only living parent.
The younger Jing Nian and the older Lu Sheng have been playmates since they were children. After entering university, Jing Nian has been passionately chasing Lu Sheng over the years showing his true love for him. However, Lu Sheng really can't stand it and dares not face his innermost feelings. Emotions, this pair who are born with a tacit understanding, how should love speak out?
A collection of images, existing films, and personal footage. All of these melted together to show the destruction of time, and the decay of beliefs. Ranging from religious fundamentalism, sexual identity, the collapse of Western Society, and humanity’s contribution to art, literature, and mixed-media.
A building in Israeli Hebron, which has been deserted by its Palestinian occupants, is called 'The Mute's House' by the Israeli soldiers stationed there and by the tour guides who pass by daily. The building's only occupants are a deaf woman, Sahar, and her 8-year-old son, Yousef. The family's unique story, in the midst of the Israeli-Palestinian conflict, unfolds through the eyes of the young and charismatic Yousef, as he goes through his daily routine on both sides of the torn city.
A poetic documentary portrait about czechoslovakian painter.
Two brothers, one of whom suffers from a traumatic brain injury, struggle to survive on their own.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
The 11 year old Jimmy Spencer is not interested in the kids of his neighborhood. Instead he is playing with his imaginary siblings in his room - day in and day out, giving them own names and voices. Only when he joins a theatre group, he starts to enjoy the interactions between him and other children. For the first thine his parents experience him as a happy child. When Jimmys’s mother, JIL, falls sick, his world is falling apart. Desperately he is looking for something that will help his mother. He finally has the idea to be part of a major motion picture as he believes that his mother will do everything it takes to get well and see him in his movie. With much enthusiasm he is following his plan, but his dream seems to fall thru as he is faced with new obstacles at every turn of his journey, until he meets a very special person.