Ode to Book People(2020)

Koyaanisqatsi(en)

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Making of 'Premutos - Der gefallene Engel'(de)

A look behind the scenes of Olaf Ittenbach's splatter classic, which was made over a period of four years with a total budget of just DM 180,000. We learn the essentials about the realization of the elaborate special effects and filming, numerous scene excerpts as well as interviews with actors and producers.

Follow Me(en)

Documentary about two boys and a girl who travel to surfing spots around the world.

Chop Thye Bee(en)

An intimate portrait of an inter-generational family as they bid farewell to the common ground that binds them together.

Do Not Split(en)

The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.

And the Walls Came Tumbling Down(en)

This documentary / fund raiser film was produced in 1984 by the Hong Kong Salvation Army to raise sponsorship for their educational activities in the infamous Kowloon Walled City. The project was filmed in 16mm film.

RÉVEILLON 2024 OU: O Cine-Monstro da Virada(pt)

A group of friends gathers to celebrate the end of 2023 and the beginning of 2024. Captured through a cellphone camera, the film showcases their various interactions while highlighting the artistic and cultural influences that shape their lives.

Fuji(en)

A short documentary about the former judoka Marina and her Judo Club for People with Disabilities - "Fuji". Its brave members cope with all things Judo and real-life challenges, but always with a smile and the heart of a true judoka.

Be Water(en)

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.

Memories to Choke On, Drinks to Wash Them Down(cn)

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

Revolution of Our Times(cn)

Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.

Carlos Sainz: The Operator(es)

Bukit Orang Salah(en)

At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.

Umbrellas Move(cn)

“Umbrellas Move” is a long feature documentary capturing scenes from Hong Kong’s city-wide protest, the occupy movement in 2014. This documentary witnessed a critical page of Hong Kong after transfer of sovereignty over Hong Kong from Britain to China. Around 1200 thousand people have involved in this longest occupation in the history of Hong Kong in 2014. 79 days of occupation, Hong Kong people are fighting for their rights to vote under a fair election in order to be against the political controls from China.

Fishball Revolution(en)

An asylum seeker from Hong Kong builds a new life for himself in Glasgow, using his passion for street food to maintain his cultural identity.

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Tears on Yesterday's Skin(en)

A poetic documentary in which the narrator must grapple with the grief and emotions following the death of a close friend.

Being and Becoming Chua Ek Kay(en)

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

Singapore GaGa(zh)

Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.

The Lost Media of Aaron Aaron Byrne(en)

The making of the next Aaron Aaron Byrne Movie takes a turn for the worst.