Hope has an act in a traveling circus where she is "the rainbow princess" and performs a Hula dance. The owner of the circus pawns the girl off on Judge Daingerfield as his long-lost granddaughter. Hope goes to live with the judge, and to the horror of his upstanding family, insists on having the circus performers over as her guests. But the whole ruse, unbeknownst to her, is so that the circus owner's sons can rob the judge.
Judge Daingerfield
Pop Blodgett
Dave, his son
Simon, the skeleton
Hope has an act in a traveling circus where she is "the rainbow princess" and performs a Hula dance. The owner of the circus pawns the girl off on Judge Daingerfield as his long-lost granddaughter. Hope goes to live with the judge, and to the horror of his upstanding family, insists on having the circus performers over as her guests. But the whole ruse, unbeknownst to her, is so that the circus owner's sons can rob the judge.
1916-10-22
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At a three-ring circus, 'Spangles' Delancy, a beautiful bareback horse rider, falls in love with a wanted man, Dick Radley, who uses the circus as a hideout. The show's owner Big Bill Bowman also falls in love with Spangles-- But only one man can have her.
Malcolm McGregor joins the circus and falls in love with Olive Borden but his life changes when he finds out he is a titled Lord.
Father-and-son lion tamers, Rabbas and Léo share a mistress - Rosita, the " lovely bitch " of the film's title. She is as wild as their lionesses and, in a single night the father is injured and the son attempts suicide. Only when Rosita leaves the circus can things get back to normal.
The romance between a lion tamer and a liberated girl.
After Clown Teddy lost his son, he lost his gift for laughter. He opened a joke shop and lives above the shop. His landlady has had a foster son since birth, and Teddy decides to raise the child, who always believed that Teddy was his father. When the mother suddenly appears five years later and wants her son, Teddy decides to run away with the child and goes back onstage with his son. Will the family catch up with them, or will the mother never get her son back?
Melrose's circus is being threatened by his competitor, who's angry that Melrose has outmanuevered him in bookings; what he doesn't know is that the competitor has also planted a saboteur who creates accidents in hopes of reducing the value of the circus. Meanwhile, he's also hired a beautiful young woman as the magician's assistant, with eyes toward more - but he realizes that, as a midget, she won't have him.
"Don't pity me, just give me money." A smart little girl, Suzu, for the sake of her beloved sick mother, has no choice but to attempt all ways to fork up the money required for the operation. It includes stealing, cheating and almost anything that could yield cash. However, deep within her is a sadness unseen by many.
Mary Miles Minter is the title character. Pat (Minter) is a little orphan who has been raised around the circus. Her foster father is Toto the clown (Neely Edwards). Toto hopes to marry Pat until the day the circus comes to a Southern town and she meets handsome Dick Beverley (Jack Mulhall). Beverley falls in love with Pat and takes a job as trick rider just to be near her. Beverley's aristocratic parents (Winter Hall and Helen Dunbar) find out about his new job and insist that he come home. Two of the five reels survive.
A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.
A circus performer falls in love with the son of a plantation owner in antebellum New Orleans. When the young man's stepmother objects to the wedding, the couple break apart and go their separate ways for a time. Also in the mix are two circus comics who feud over the heart of another Southern belle.
In 'The Circus Kid', Buddy, an orphan who runs away from a a harsh orphanage, joins Cadwallader's Circus.
To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.
"Katharina Knie" is a 1929 German silent drama film directed by Karl Grune and starring Eugen Klöpfer, Carmen Boni and Adele Sandrock. It is based on the 1928 play of the same title by Carl Zuckmayer.
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.
Focusing on the predicaments of those born with genetic defect causing dwarfism, the film is the love story between Khoka and Soma.
The arrival of a travelling circus sends ripples through the inhabitants of a remote Keralan village.
When a woman dies in a car accident, her former husband (a traveling circus worker) learns that his wife was pregnant when she divorced him many years earlier. The now teen-aged daughter enters his life. Can they form a relationship?
In one of the occupied European cities, the commandant of the garrison gathers a troupe of circus performers. Coming from different countries, they are in the humiliating position of people forced to serve their enslavers. Many of them, recruited from camps and workhouses, were quite content with their lot. Only after a chain of subsequent events, the artists raise an uprising. Unarmed people are not able to resist the arrived guards. They die, but at the cost of their lives they regain their lost human dignity.
A young dancer becomes a stunt rider through the patronage of a wealthy man.